김수영의 시에 나타난 ‘죽음’

Abstract

Kim Soo-young partially revised the perspective on death at the beginning, adding a new perspective to it, and completing the poetics of death by expanding it. First of all, Kim Soo-young used death as an opportunity for awakening to life. This point was evident in his early days of "Life difficulties of Confucius". Looking for a tradition that meaned "Memento Mori," or "Don't forget death," what he wanted to see was also a life in the light of death. In "Snow", we could hear the memory of death in the attitude of a poet. Kim Soo-young saw death as creating a new creation. In "GuraJungHwa", life and death continued in succession. This also applied to poetry, and it was said that the content and form of poetry could be renewed through death, and the modernity of modern poetry could be achieved through this process. Another aspect of death in Kim Soo-young's poem was that death exceeded the limits of "ego." In "Mal", just as the subject of poetry exceeded the limits of "ego" through death, the language of poetry also surpassed the language of "ego" through death. Kim Soo-young thank that death was related to the material. subject, and language of the poetry. Based on this point of view, Kim Soo-young was able to speak of the modernity of modern poetry and put forward poetry of participation.