漢字結構의 이론과 분류방식

Abstract

Su Shi was the litterateur, statesman, thinker, calligrapher in Chinese Northern Song Dynasty. His surviving paintings were rare, so Su Shi's painting history status was generally kept from talking about. In fact, Su Shi's painting thoughts greatly affected the development direction of Chinese painting after the Song dynasty. This paper expounds Su Shi's painting thoughts from three aspects Su Shi's first important painting thought was that he put forward the "personality" of the painter. He proposed the opinion of "the high personality is the basis of painting", and pointed out the possibility from the "technology" to the "Tao" of the painting. This ascension from the "technology" to "Tao" of the painting is one of the important manifestations for the formal establishment of the literati painting. Su Shi's second important painting thought was that he made a request to the painter's "conservation", made clear the concept of "scholar painting". He said: "reading million volumes before god". Su Shi's third important painting thought was that he put forward the overall guiding ideology for “artistic conception”, namely" poetry in painting ". The philosophy of " painting in poetry " required artists to surpass the formation in the creation process of poetry and painting, to pursuit the harmony and unity at the higher level such as meaning, spirit, charm. In addition, I analyzed the identity of Su Shi's main friends listed by Hu Yinglin of the Ming Dynasty, found that more than 50% of people of Su Shi's friends were closely linked with the painters or painting. There was more or less relationship with Su Shi for several important painting books of the Song Dynasty. The establishment of Su shi’s status in painting history was not because he made amazing achievements in painting skills, but because of his position in the literary world, made his painting thoughts spreading in the literary world, deeply penetrating for the painting. Overall, the four elements of the Chinese literati painting were "moral character, conservation, artistic conception, and ink". Among them, the "moral character, conservation, artistic conception” were the theoretical guidance formed in the Song Dynasty, and were initiated by Su Shi and his school. In a sense, Su Shi laid the foundation of the Chinese literati painting theory. And Su Shi had an unusual position and influence in Chinese scholars, his theory of literati painting had become the dominant ideas quickly. This made the Chinese literati painting to higher lever in the status than the painting since the Wei and Jin Dynasties. The results led directly to the major change in the style of the traditional Chinese painting.