김정은 시대 기록영화의 지속과 변화

Abstract

This study analyzes the status quo in film production during the rule of Kim Jong-un, and examines the number of films produced and the tendencies in the production in chronological order, with Kim Jong-un’s rule as the focal point. According to the analysis, Kim Jong-un’s documentary films have been produced under the influence of his direct predecessor’s style, hence the consistency. There seems to be no significant change in the narrative structure, in which the thesis is stated twice, both in the beginning and the end. However, the following changes were observed in terms of image representation. First, they are quick to release each film. Kim Jong-il demonstrates extremely closed characteristics in his documentary films, just like his nickname “the secluded dictator.” On the other hand, Kim Jong-un’s documentaries provide detailed images of the actual atmosphere and background of the country. Second, the screen compositions are different. They do not follow the so called “centerline” rule. Instead, the films present scenes taken from high angles and showing Kim Jong-un’s back. These factors can be interpreted as propaganda, a device which Kim intentionally uses to advertise his love for his people. Third, they practice a “reducing the gap” strategy. In the latest North Korean documentary films, Kim represents the parental icon that personifies love for the future and the next generation. This tactic may be interpreted as Kim Jong-un’s representation of Kim Jong-il’s governing ideology, “Treat citizens as heaven.” Although the same past tendencies are maintained in the message found in the literature and art of Kim Jong-un’s era, there is no doubt that innovations have been sought when it comes to formal aspects. Nevertheless, because today’s North Korea is still under the influence of the Military-First literature theory, the conservative production style is expected to be continued on the actual film set, a far cry from the nation’s demand for a masterpiece of the era.