蒙古族传统乐种的传承与创新研究
Research on the inheritance and innovation of Mongolian traditional music
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本论文以科尔沁蒙古族传统乐种为研究对象，主要通过内蒙古民族大学音乐文化中心复原蒙古族宫廷十八件乐器为研究素材对蒙古族宫廷乐器制作和演奏方法进行阐述。本论文的主体共由四个章节组成:第一章蒙古族传统乐种的溯源及生存现状，第二章科尔沁传统乐器制作现状进行论述，结合科尔沁地区的民间乐器制作传承人包雪峰以及乐器演奏传承人的采访学习，探究乐器对科尔沁音乐的影响，对其乐器制作的过程从主观和客观方面进行分析；第三章则以科尔沁蒙古族宫廷音乐风格及基本形态进行分析，结合科尔沁文化中心对改编、重现的科尔沁传统音乐套曲有一个整体的认识，并收集曲目，探究乐器对音乐形态的影响，进一步求证蒙古族传统乐器与传统艺术相融合的形态特征，对当代科尔沁宫廷音乐有更直观的了解：第四章阐述内容为科尔沁宫廷音乐的传承与存在的现实意义，从而让世人进一步了解蒙古族宫廷音乐。所以在在撰写本论文的初衷笔者希望能够进一步从蒙古族传统的宫廷音乐这个比较大的脉络中横向和纵向的去吸取蒙古族音乐的精华并从中探索并分析其音乐形态及其音乐内容，更加希望能让众人对蒙古族传统乐种的传承与创新有直观的、系统、全面的了解。
Abstract
This thesis takes Horqin palace music as the research object, mainly through the restoration of eighteen musical instruments of the Mongolian court through the music and cultural center of Inner Mongolia University for the Nationalities as the research material for the Mongolian court instruments making and playing methods. The main body of this paper is composed of four chapters: the first chapter outlines the historical origin of the Mongolian court music and the present situation of existence: the second chapter discusses the present situation of the palace musical instruments in Horqin Mongolian, and combines the folk musical instruments and inheritors of the Horqin area, as well as the interview and study of the musical instrument inheritors, and the inquiry music. The influence of the instrument on Horqin music is analyzed from the subjective and objective aspects. The third chapter analyzes the musical style and basic form of the Horqin Mongolian court, and combines the Horqin cultural center with a holistic understanding of the adaptation and reappearance of Horqin Traditional Music Suite, and collects the music. To explore the influence of musical instruments on the form of music, further seek the morphological features of the combination of traditional Mongolian musical instruments and traditional art, and to have a more intuitive understanding of the contemporary imperial court music in Horqin: the fourth chapter describes the content as the practical significance of the inheritance and existence of Horqin Palace music, so that the world can further understand the Mongolian palace. Court music. Therefore, in the original intention of writing this thesis, I hope to further draw the essence of Mongolian music in the larger context of the Mongolian traditional court music, explore and analyze its musical form and its musical content from it, and hope to let the people have a direct view of the Mongolian traditional court music. A systematic, systematic and comprehensive understanding.
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