论当代篆刻艺术的发展方向 - 类型ㆍ刀法新境ㆍ谱系建构：品
On the development direction of contemporary seal cutting art - New environment of knife skills and genealogy construction -
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초록
篆刻艺术以刀法的媒材特征既区别于中国的书画，又以其文化属性不同于异域文化的铭刻艺术，因而被视为篆刻的主要形式语言。在当下文化环境中，篆刻用刀所导致的审美意蕴继承中国艺术传统，也对现代篆刻品评提出了新要求。以古代诗品为基本形式，为篆刻架构一个符合当代精神的审美谱系显得意义重大。为此，本文提出了“契于原型的古雅之美”等四种审美类型作为品评的标准和依据。
Abstract
The art of seal cutting is distinguished from Chinese calligraphy by the media characteristics of the knife technique, and its cultural attributes are different from the inscription art of foreign cultures, so it is regarded as the main formal language of seal cutting. In the current cultural environment, the aesthetic implication caused by the use of knives in seal cutting inherits the Chinese artistic tradition, and also puts forward new requirements for the evaluation of modern seal cutting. Taking ancient poetry as the basic form, it is of great significance to construct an aesthetic genealogy that conforms to the contemporary spirit for seal cutting. For this reason, this article puts forward four types of aesthetics, such as the "quaint beauty that fits in the archetype", as the criteria and basis for the evaluation.
참고문헌 (4)
- 趙孟頫, "松雪齋集,印史序", ~
- 揭汯, "吳氏印譜", ~
- 韓天衡, "曆代印學論文選", pp.421~ (1999), 西泠印社出版社
- 王弼, "周易略例ㆍ明象", ~