현대 문인화의 초월적 풍격 고찰 -사공도 『이십사시품』을 중심으로-

Abstract

Korean traditional literary paintings are generally masculine because they are known as male-centered cultural tools under the influence of Neo-Confucianism in the Joseon Dynasty., However, Korean modern literary paintings are weakened by the influence of Neo-Confucianism, and they are also showing emotional and transcendental tendencies centered on women, away from male-centered. According to this historical background, this study analyzed the works of transcendental tendency of Korean modern literary paintings, which are in common with the styles of Cheonggi and Pyoil of Sagongdo's Twenty four poems. For this purpose, this study first defined modern literary painting, and then diagnosed the transcendental style of modern Korean literary painting based on the styles of Cheonggi and Pyoil of Sagongdo's Twenty-four poems, which can be called the traditional aesthetic texts of the Orient. As for the styles of Cheonggi, the works of <Yoyo> and <Cheonryeo> by Park Se-ra were analyzed, and as for the style of Pyoil, the works of <Night Travel> and <Coffee HolicII> by Seo Ki-hwan were evaluated. Through this study, in the diversified and symbolized modern society.