한국 텔레비전 장르드라마 연구

Abstract

Television dramas are cultural contents in which both artistic and industrial properties coexist. In this article, I looked at genre drama in terms of television drama planning, which considers both artistic and industrial attributes. The main sub-genres of TV dramas that have been discussed so far are divided into two types in terms of ‘what’ and ‘how’. First, it typified the genres of ‘history, medicine, court, investigation, and politics’, which are genuine concepts such as background, person, This type induces viewers' interest through discriminatory sanctions, which is characterized by the fact that discriminatory sanctions are related to contemporary consciousness of the problem. In other words, it is a type showing the possibility of creating discourse of TV drama in that the sanctions are not consumed once but are aimed at reflection on the reality. Next, I typed the melodrama, action comedy, romantic comedy, mystery, and sitcom genre, which is a genre concept with narrative elements such as message, emotion, plot, and format, as genres of emotion. This type emphasizes the cumulative emotional aspect over time rather than immediate sanctions. It is a type that has a significance in itself to indirectly experience the emotions such as sadness, pleasure, laughter, and fear that the work emits while the viewer is immersed in the situation and characters. There has been a limitation that the standard of the genre drama so far has not been uniform. In reality, it is impossible to find an absolute criterion that can be applied collectively to all sub-genres. However, as discussed in this article, once the genre has been recognized by recognizing materials, backgrounds, settings, subjects, and plots that have become the existing criteria, a new approach to genre dramas will be possible if they are reclassified according to their characteristics do.