论“南行”时期苏轼的山水诗心

Abstract

This paper mainly focuses on the aesthetic pattern of Su Shi's landscape poetry during the period of "Southbound Collection" by the father and sons of the "Three Sus", and systematically examines Su Shi's family background, early growth experience, and literary creation ideas in his youth. According to the "Southward Journey", the core ideas of Su Shi's early landscape poems, as well as the author's creative ideas and literary propositions are discussed. In addition to the expression of Confucianism, Su Shi's landscape poems during his journey to the south also contain the poet's thoughts on the universe and time. In Su Shi's poems, although he often revealed the tragic consciousness of the fleeting nature of time, he also immediately dispelled the tragic consciousness with the ideals and aspirations of scholars, showing the poet's open-mindedness. His occasional contemplation of life in his poems also laid the ideological foundation for Su Shi's later devotion to Buddhism and Zen. This paper intends to use the two clues of "the beauty of mountains and rivers" and "the relics of the ancestors" to deeply study Su Shi's creative style and aesthetic care during the southward period. Su Shi's poems during his travels weremainly reflected in his thoughts on the finite time and the eternity of the universe, and the contradiction between being an official and a hermit. These thoughts and expressions reflected Su Shi's unique understanding and knowledge of life, and have had a profound impact on Chinese literature. The exploration of Su Shi's early thought is also of certain value for studying the changes in his thinking and literary style after he was repeatedly degraded.