20세기 초 자탄가 속 자기 서사에 재현된 기억과 욕망 표현의 의미

Abstract

In the early 20th century, gyubangasa writers described their life history by relying on the literary tradition of jatanga. The target works of this study are six self-narrative gasa of jatanga created between the 1910s and 1930s. The motivation for creating the work is reminiscence of old age and the death of her husband. In particular, her husband's death became an opportunity to realize her lost desires. These self-narrative gasa show the pendulum swing between the collective ego that puts family first and the individual ego that is conscious of individual desires. In their early works, the authors prioritize their sense of responsibility as the mistresses of the house, whereas in their later works, they become more aware of their emotions and desires within their relationship with their husbands and express them. In the tradition of jatanga, I, the subject of the confession, describe experiential facts in detail, but reminisce with a focus on emotional experiences. At this time, inorganic composition and multi-layered techniques rather than refined language are used as devices for self-expression. And the person who pushes her feelings and desires to the surface is her husband, and her feelings and desires toward her husband are expressed in detail. At the time, Gyubanggasa writers were referred to as old women, defined as passive and stagnant women, and were otherized. Old women writers, whose voices were omitted from popular narratives of the time, tell us about their upbringing through the gasa of their narratives. The self-narrative writers of this period have the characteristic of looking back on their lives and expressing their own desires for marital affection and happiness through their identities as daughters and wives.