대안적 역사 기술(記述)로서, 대중영화가 다시 쓰는 한국현대사 - ‘광주 민주화 운동’의 재현에 관한 시선의 변화와 의미 -
As an alternative writing of history, the Korea post-modern history being rewritten by Korean popular films - The changes and the meanings of aspects on the Kwangju pro-democracy movement
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A way of looking up and representating a history is varied the given meanings respectively in accordance with the properties of representing media, situational reflection of the time and the directions of their sights. In this study, as one of an alternative way of writing of history, Korean popular films. I pay my attention to their sights of rewriting the Korean post-modern history. And, this is represented according to the periodic needs of 'present', I look into what are the meanings of this all sum of consisting representations. In this study, I am specially intending to watch for periodic changes and streams on the way of representation of history of 'Kwangju pro-democracy movement'. To grasp the meaning, firstly I classify and analyse the texts in accordance with period of productions and opening. In the process of this study, I interpreted the spatio-temporal meanings of the film as a concept that extends our perspective from the area of the past history that of the present. Besides, fantasy as a language used in the present communication and as a method that the popular film describes history.
Abstract
A way of looking up and representating a history is varied the given meanings respectively in accordance with the properties of representing media, situational reflection of the time and the directions of their sights. In this study, as one of an alternative way of writing of history, Korean popular films. I pay my attention to their sights of rewriting the Korean post-modern history. And, this is represented according to the periodic needs of 'present', I look into what are the meanings of this all sum of consisting representations. In this study, I am specially intending to watch for periodic changes and streams on the way of representation of history of 'Kwangju pro-democracy movement'. To grasp the meaning, firstly I classify and analyse the texts in accordance with period of productions and opening. In the process of this study, I interpreted the spatio-temporal meanings of the film as a concept that extends our perspective from the area of the past history that of the present. Besides, fantasy as a language used in the present communication and as a method that the popular film describes history.
참고문헌 (8)
- 강창일, "『기억투쟁과 문화운동의 전개』" (2004), 역사비평사
- 김기봉, "『‘역사란 무엇인가’를 넘어서』" (2000), 푸른역사
- 김명준, ",「1980년대 이후 진보적 영화운동의 전개과정-상승, 퇴각, 재편: 본원적 축적, 정체를 거쳐 나선형적 발전으로」,『영화운동의 역사-구경거리에서 해방의 무기로 』" (2002), 서울출판미디어
- 문재철, "『영화적 기억과 문화적 정체성에 대한 연구-“Post-Korean New Wave Cinema를 중심으로』" (2002)
- 배수경, ",『한국 영화검열제도의 변천에 관한 연구-정권별 특징과 심의기구의 변화를 중심으로』" (2004)
- 윤태진, "「텔레비전이 바라보는 한국의 현대사」,『프로그램", 텍스트』, 2000, ~[DOI]
- "“[5·18 광주항쟁 25주년］‘광주’가 바꾼 문화예술 지형도”", 24, ~[DOI]
- "“김재규씨 ‘민주화 운동’ 인정 안해”", 23, ~[DOI]