공예 본질로부터 목공예 확장성을 통한 정체성 확립
Establishing Identity Through Scalability of Woodcraft from the Essence of Craft
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Craftsmanship is an skilled ability to make upmost tools that are needed in daily lives. It started since primitive age to nowadays, collaborating with IT-tec in 4th industrial revolution to make a innovative crafts endlessly. Recent event of conceptual arts and object, that excludes handmade, made essence of craftsmanship to a dichotomy of function/non-function, and pure art/ craftsmanship confrontation. I suggest four types of alternative to define the essence of modern woodcraft from this dichotomy and woodcraft’s Identity from essence of craftsmanship. The first is to extense by collaborating with other majors. Second is to expand by digital technology. Third is the extensibility of woodcraft’s function and matter. And the last not the least, expanding through culture. By this extensibility, woodcraft can establish itself and be part of founding the modern craftsmanship’s identity
Abstract
Craftsmanship is an skilled ability to make upmost tools that are needed in daily lives. It started since primitive age to nowadays, collaborating with IT-tec in 4th industrial revolution to make a innovative crafts endlessly. Recent event of conceptual arts and object, that excludes handmade, made essence of craftsmanship to a dichotomy of function/non-function, and pure art/ craftsmanship confrontation. I suggest four types of alternative to define the essence of modern woodcraft from this dichotomy and woodcraft’s Identity from essence of craftsmanship. The first is to extense by collaborating with other majors. Second is to expand by digital technology. Third is the extensibility of woodcraft’s function and matter. And the last not the least, expanding through culture. By this extensibility, woodcraft can establish itself and be part of founding the modern craftsmanship’s identity
참고문헌 (14)
- 김성민, "공예산업의 현황을 통한 융합 발전방안 연구", 한국과학예술융합학회, 35, pp.59~68 (2018), 한국전시산업융합연구원[DOI]
- 김은경, "존 러스킨의 디자인 개념에 관한 고찰", 한국공예논총, 1, pp.90~ (1998)
- Risatti)의 '비평적' 공예론을 중심으로, "박사", 단국대학교 대학원, 2014
- 임성훈, "20세기 국내 가구 산업의 디자인 경향에 관한 연구", 석사, 목공예, pp.2001
- 전영옥, "자원순환 디자인 개발에 있어 오픈 디자인적 접근 탐색-‘더나누기알켄즈 콜라보레이션 디자인상품기획展’ 및 ‘잉여의 쓰임展’ 분석을 중심으로-", 기초조형학연구, 18(5), pp.515~526 (2017), 한국기초조형학회
- 최인철, "공예의 본질과 미적가치에 대한연구", 한국공예논총, pp.198~216 (1999)
- "국제갤러리. 2018.5.10.~6.17", ~
- Martland, T. R, "Art and Craft: The Distinction", pp.234~ (1974), B. J. A. Summer
- Shiner, L, "Encyclopedia of Aesthetics. volume 1", pp.450~ (1998)
- "The Federation of Korea Culture Center", ~