화조도의 미적특성을 활용한 아트메이크업 연구

Abstract

This study is a research thesis on an art makeup illustration work with the application of aesthetic characteristic in Hwajodo(花鳥圖, A Picture of Flowers and Birds) among the kinds of folk painting. A research method is made totally 4 works by classifying a feature of folk painting into aesthetic characteristic, decorativeness, symbolism, complexity, and formativeness after considering the theoretical background through a previous research, a specialized book, and internet. The characteristics, which appeared in Hwajodo(花鳥圖), were classified targeting 5 artists who are being active now as a folk-painting artist based on the works of being contained in the folk painting-specialized book. A first, the design was made by using a flat composition style, which is a basic component of Hwajodo(花鳥圖), while using strong color in order to emphasize an ornament effect of a pattern, which comes from decorativeness. Second, the design of using symbolism was made a motif pattern in a straight image of pine tree, which has the meanings of integrity & fidelity, unworldliness & poetic adventure, and longevity. On the other hand, the use of diversity in color led to having stood for the beauty of flowers and birds. Third, what was used the mutually different motifs in one space led to having aimed to express an image as saying of harmonizing complexly. The colors in the same series were used in order to show the simplification even in using color while minimally simplifying the image that is shown in Hwajodo(花鳥圖). Fourth, the formative feature was used with touching the coarse side and applying the rough line while having a free-wheeling characteristic with having no concept of up & down and of left & right. Through this study, the artists who do creative activity in an individual work are aimed to be suggested the possibility of expanding the realm of a work according to a creative idea and to be proposed the need of an effort through diverse attempts. The art makeup is expected to emerge firmly as a genre of art, not ending simply in an aesthetic means.