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꽃담무늬를 이용한 아트메이크업에 대한 연구

A Study on the Art Make-Up Using Floral Fence Pattern

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초록

This study attempted to investigate the floral fence pattern containing the natural beauty and simplicity of Korean people by understanding the importance of traditional Korean cultures in the 21th century and express it through its application to art makeup design. The following conclusion was drawn through the theoretical investigation and work production for this study: First, the floral fence pattern contains a great value as the design material that can lead to the original plastic world because it expresses diverse patterns. Second, this work attempted to express the floral fence pattern representing traditional Korean cultures with the contemporary image, which presents the possibility of creating a peculiar design culture containing the meaning and value of the tradition. Third, the pattern expressed in the floral fence is made out of earth and stone and so has an unsophisticated yet coarse image. In this work, the art makeup was represented by the pictorial expression by thinking of the face as one canvas. Here the unsophisticated was expressed into the delicate, which could lead to the harmonization of the tradition and the present. Fourth, contemporary elements have principally been used in the pattern used in art makeup. The traditional pattern was used in the art makeup using the floral fence pattern, adding the fresh to art makeup. It is thought that it is a new attempt that the traditional pattern of Korean image is highlighted as the material of art makeup.

Abstract

This study attempted to investigate the floral fence pattern containing the natural beauty and simplicity of Korean people by understanding the importance of traditional Korean cultures in the 21th century and express it through its application to art makeup design. The following conclusion was drawn through the theoretical investigation and work production for this study: First, the floral fence pattern contains a great value as the design material that can lead to the original plastic world because it expresses diverse patterns. Second, this work attempted to express the floral fence pattern representing traditional Korean cultures with the contemporary image, which presents the possibility of creating a peculiar design culture containing the meaning and value of the tradition. Third, the pattern expressed in the floral fence is made out of earth and stone and so has an unsophisticated yet coarse image. In this work, the art makeup was represented by the pictorial expression by thinking of the face as one canvas. Here the unsophisticated was expressed into the delicate, which could lead to the harmonization of the tradition and the present. Fourth, contemporary elements have principally been used in the pattern used in art makeup. The traditional pattern was used in the art makeup using the floral fence pattern, adding the fresh to art makeup. It is thought that it is a new attempt that the traditional pattern of Korean image is highlighted as the material of art makeup.

참고문헌 (15)

  1. 조정현, "꽃담" (1989), 대원사
  2. 신영훈, "한국의 살림집", pp.379~ (1986), 열화당
  3. 장기인, "한국건축학 사전", pp.78~ (1984), 양우당
  4. "한국 건축 답사 수첩", pp.114~ (2008), 한국건축 역사학회편 동녘
  5. "한옥의 재발견", pp.132~ (2005), (주) 주택문화사
  6. 주남철, "한국의 건축미", pp.104~ (1983), 일지사
  7. 성미옥, "꽃담문양을 이용한 아파트 외벽의 슈퍼그래픽에 관한 연구", pp.1999
  8. 윤장섭, "한국의 건축", pp.439~ (2008), 서울대학교 출판부
  9. 조정현, "미술세계, 기획시리즈 II", pp.66~68 (2000), 꽃담
  10. 김현경, "경복궁 교태전과 자경전의 꽃담무늬의 상징성에 관한 연구", pp.1997
  11. 박은정, "담문양을 응용한 직물연구", pp.1998
  12. 김춘일, "조형의 기초와 분석", pp.9~ (1991), 미진사
  13. 정경원, "디자인의 발견", pp.76~ (1986), 디자인

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