식산 이만부의 역통(易統)과 경학사(經學史)적 의의

Abstract

The whole structure of the 《Yeogtong》 by SikSan YiManpu had put explanation of its meaning under the picture. The introduction and the other explanations were distinguished by changing the line. The first chapter is "one-yeog原易", the second part is "sang-yeog象易", the third part is “hoeg-yeog畫易”, the fourth part is “yeon-yeog演易”, the fifth part is “Sa-yeog辭易”, the sixth part is “Yong-yeog用易”, and the seventh part is “Yig-yeog翼易". At the end of the book, it added an appendix, "seub-yu拾遺". The characteristic of the 《Yeogtong》 is the arrangement of the Taichi太極 and YinYang陰陽 patterns in front of the He-tu河圖 and Luo-shu洛書. Another work on the 《Zhouyi》, Siksan’s 《Yeogdaesangpeonlan易大象編覽》 is focused on the monarch's self-cultivation and peace of mind to uphold righteousness. On the other hand, 《Yeoktong》 comprehensively compiled the doctrines of DongZhu, DongMengCheng, HuFangping and HuYiGui. Those works were are done at the late Song Dynasty and early Yuan Dynasty based on the Theory of Image and Number(圖書象數學) that Zhu Xi had introduced. It can be considered that 《Yeoktong》 continues the tradition of South scholarship that connects to Toegye Yihuang’s 《Gyemongjeonyi》 and Yeohen Janghyunkwang’s《Yeoghagdoseol》. ShaoYong’s Congenital Yi was actively promoted by ZhuXi and became a mainstream since the middle of Joseon Dynasty, Toegye's 《Gyemongjeonyi》. Therefore, Siksan’s 《YeogTong》 is regarded as a serial and collective work of Joseon's Theory of Image and Number.