中国绘画状物再现的语言境界研究

Abstract

The process and formal outcome of painting reveal that the language realm in artistic creation is progressively transformed, and at the same time, it is attached to the artistic ideal that ADAPTS to one's own will. Based on the research of practical methods in Chinese painting creation, this article holds that the key aspects of painting creation involve depicting objects, representation and contextual transformation. It reveals the thinking process of artistic creation and the formal interpretation of theory and practice. On the basis of previous research, it uses research methods such as literature analysis, image research and inductive deduction to deeply sort out the thinking of depicting objects and then expounds two contextual forms of painting representation: Depict emotional and emotional scenes and visualize images. The article reveals the progressive discussion of two dimensions from four aspects: breaking through the thematic boundaries of describing objects and events, transcending the realm of meaning through objects, the picture context of form and style reproduction, and the image pattern of schematic construction. It deepens the study of the thinking of describing objects in the real context, including the subjective assumption of the context of describing objects and the language boundary between the realm and the boundary. Summarize and form the theoretical basis of the first dimension, then elaborate on the formal context of representation in the creative picture, hold that the forms of painting are diverse, appeal to the painting context of content and form, and expound on the representation methods of the second dimension. In fact, the textual summary of artistic practice stems from the contextual connection between real objects and creative images. Based on the research perspective of how to describe objects and ideal reproduction, it sorts out the thinking methods and formal insights of artistic behavior. Based on the theoretical induction of artistic creation methods, this paper deduces the construction context of form creation in creative practice and analyzes the language intentions in aspects such as object modeling, construction space, and form approach. As the conceptual laying in the early stage of artistic practice, the thinking of objects and the construction of the realm, on the basis of summarizing subjective thinking methods, further deduce the feasible reproduction results, propose two contextual forms of object reproduction, situational description and schema image, and establish a universal creative method from real existence to the context of the picture.