‘재현’의 제도화와 근대연극, 이데올로기 구성의 방식

Abstract

The representation is a important system forming a modern drama, and, especially, is a principle and base practicing the ideology of a modern subject. A modern subject represented an image of being accord with their view of modern ideology and order as an object of identification. According to representation for an image of hero, a drama, having a prosaic nature, start to pursue a dramatic system of story focused on reality/fictuon. A need of subject for their representation formated a stranger, according to this, Gi-saeng as an object excluded is set up, after this, Gi-saeng as a traditional player is started to eliminate. By the way, a woman in a narration of drama, is represented as a suffered stranger, this is to educate and settle a woman as a being forming a new nation/family. And, a drama space is selected for an existence of such a subject and stranger. A settlement of drama space based on a point of view for the world of perspective, have a thought of property of capitalism. A drama/ drama space fulfil its function as a space for practice of discourse by a modern subject, until our drama establish the function of independent genre having a autonomy.