1930년대 상하이 도시문화와 잡지의 현대성 역할-≪無軌列車≫, ≪新文藝≫, ≪現代≫를 중심으로-

Abstract

The china's city cultivation begun from ShangHai is well expressing modern subjectivity. especially from late 1920s to 1930s the well-informed people to from city cultivation and new cultivation begun to make ShangHai's modern city cultivation space from the center of magazine ≪The modern≫. At that time, when they accomplished the proletarian classes and the revolutionary culture's element The proletarian classes and the element of the revolutionary culture, they didn't show their color and begun to make only their literary art in spite of any assertion or demand. and these magazines' role which they first published and was active in has very important meaning. Because these magazines which they accepted became the testing place of a new thinking theory and practice. First of all, this thesis looks for ShangHai's modern cultivation and modern subjectivity of city cultivation space and at that time when they was active in the magazine, ≪The modern≫which was publishes in ShangHai, they pursuited which theory and practice and they studied the present role of city cultivation among these magazine.