近代 女性文學의 형성 원리 연구－정전의 形成과 ‘女性性’의 制度化 過程을 중심으로－

Abstract

A Study of Formation of Modern Women's Literature －Centering on the Formation of Canon and Institutional Femininity－ Kim, Yang-sun This thesis looks into the formation and principle of the canon in modern woman's literature. Specially, this thesis investigates the women writers in the middle of 1930, Park, Hwa-sung, Kang, Keong-e, Choi, Jeong-hee, Mo, Yoon-suk, No, Chun-myong, and how they construct the woman's literature positively. For this purpose, this thesis examines the writer, their works, genres and themes in the literary complete collection periodically. First, the characteristics of women's complete collections in colonial period are related with the genre. In the case of novels, the works which represent the colonial condition realistically are selected. But the poetries and essays are regarded as the woman's genre, and categorized as the sentimentalism. Second, the format of literary complete collection after the liberation period is similar to the colonial period. The novels of Park, Hwa-sung, Kang, Kyung-e describe the ‘feminization of poverty' realistically. The works of Mo, Yoon-suk and No, Chun-myong are recorded in the poetry, because their works exclude/conclude the femininity by the dominant ideology. In conclusion, woman's literary history between the colonial period and liberation period has the continuos aspect. And the women writers in this thesis exclude the other women writers like Kim, Myong-soon, Na, He-seok, or non-famous writers, and make their original group, <Association of Korean Women Writers>. That is, they lead the hierarchy in the women's literature.