박씨본 「海東歌謠」의 二數大葉 有名氏部 편제 특성

Abstract

This article tries to examine the characteristics of the organization of the part of Isakdaeyeop Yumyeongssi in Bak Ssi Edition Haedonggayo. Kim Sujang’s Haedonggayo is a song collection succeeding Cheonggu- yeonggeon, edited by Kim Cheontaek, and hence much discussion has been devoted to the relationship between the two song collections from the early stage of research in Sijo. In fact, as a result of the comparison between the part of Isakdaeyeop Yumyeongssi in Cheongjin and that in Haebak, we have found out that though it is true that Haebakwas edited by adding new works on the ground of the basic organization of Cheongjin, the former did not simply accommodate all the works published in the latter but did select some and discard others. That is to say, it turned out that editing Haedonggayo, Kim Sujang actively included the works he had dug up by himself on one hand, and selectively put those in the existing song collections in it depending on the level of completion in the space of singing on the other. These characteristics shown by Haebak can be said to result from a full reflection of the purpose of Kim Sujang’s edition of song collections that the extinction of the collected repertoires should be prevented and song scripts appropriate to substantial performances should be presented.