淸凉山 遊山文學에 나타난 공간인식과 그 변모 양상 禹應順 425 －周世鵬과 李滉의 作品을 중심으로－

Abstract

The Understanding about Space and its Alteration in the Excursion Literature of Cheongryangsan(淸凉山) － Focusing on the Works of Ju, Se-bung〔周世鵬〕 and Yi, Hwang〔李滉〕－ Woo, Eung-soon In the 16th century, appreciating the sight of one's native place and putting it on records prevailed among Jaejisarim. They came to be interested in Jirisan and Kayasan located in their native places and put significant meanings on them, not Keumkangsan and Myohyangsan. It was a literary custom. The Cheongryangsan sightseeing of Ju, Se-bung and Yi, Hwang took place under this literary atmosphere of ‘Topohilia'. Ju Sebung wrote Yucheongryangsanrok, the first record of Cheongryangsan sightseeing. His writing came to be a model of Cheongryangsan sightseeing. Cheongryangsan was a place for amusement to him. Therefore, Cheongryangsan expressed in his works was an utopia where Confucian ideal was realized. On the other hand, Cheongryangsan was a place for education to Yi, Hwang. He envied Juja who retired into Muyisan and taught his disciples. Yi, Hwang and his disciples stayed in Cheongryangsan and were eager to be the sages, corresponding to the Confucian ideal. Since then, many Confucians went on pilgrimages to Cheong- ryangsan untill the latter period of Joseon. The whole area of Dosanseowon and Cheongryangsan was named as Kugok, and it was the favorite theme of paintings. Cheongryangsan came to be a Muyisan of Joseon. So in the works of Cheongryangsan sightseeing, the major themes were the educational aspiration and respect for Yi, Hwang.