朝鮮後期 詩文에 나타난 高山九曲의 場所性

Abstract

This study aims to investigate the process by which Gosangugok, the home of Yulgok Yi I, turned into a symbolic area after his death. Chu Hsi’s Wuyi jiuqu (武夷九曲) had a considerable impact on scholars at the time neo- Confucianism became mainstream in the late Joseon (朝鮮) Dynasty, and Yulgok also claimed to advocate “Chu Hsi” through Gosangugok. After Yulgok (栗谷) died, Gosangugok constantly appeared in other literature;however, the significance of the area changed in each era. In the early Joseon Dynasty, Gosangugok had been recognized as a substantive area, as it was well known that Yulgok dwelt and carried on his study after retirement there. In the next period, scholars of the Noron party, a political faction of the Joseon Dynasty, led the recognition of Gosangugok as a place where the philosophies, of Yulgok were established. During the period of Yeong-jo the Great, and King Jeongjo, the royal court raised the status of Gosangugok in the name of venerating scholars and valuing the thoughts;as a result, it started to be regarded as an ideological area. After Heungseon Daewongun began to serve as regent, the subsidies for lecture halls were cut along with a command to demolish those halls, which harmed the status of Gosangugok. In the meantime, members of Hwaseo School attempted to establish the legitimacy of Gosangugok as;however, their efforts did not bear fruit.