1920~30년대 조선 연극계 공연 관행으로서 1일 다(多)작품 공연 체제 실상과 변모 양상 연구

Abstract

In the history of Korean theater, the multi-piece performance system in one day was the preferred performance method in the early days of the introduction of modern theater. Currently the one performance system in one day is common, but even after the Japanese colonial period and liberation, and even after the division of Korea, the multi-piece performance system in one day was a widely accepted performance method. However there is no specific research on the multi-piece performance system in one day. In fact, when the multi-piece performance system in one day started and how it spread to the theater world, there is no accurate investigation or report. This study was conceived for the purpose of supplementing these blind spots in theater history. Based on the context of Chuishengjwa and Towolhoe in the 1920s, this study focused on the multi-piece performance system in one day how it was formed and how it was materialized. And at the time when Korean popular dramas in the 1930s were particularly popular, this thesis will examine how the multi-piece performance system in one day was established and organized in detail. To this end, this study will extract representative works from the repertoire of popular theater companies in the 1920s～30s and analyze their changes. This study will provide an insight into the formation process of the multi-piece performance system in one day, which has been taken for granted so far, and the characteristics of this performance method.