한국 근대 공연예술 형성에 관한 일고찰 -1930년대 초 대중극을 중심으로-

Abstract

There is the purpose of this research even though it considers an activity situation and of A play feature early 1930 popular plays. It escaped the activity of early 1930 popular play from a standardization appearance of former time sinpa(新派). Simple appearance which was seen at former time accepts the audience through various with tragedy, comedy, comic opera public performance. It can be the effort for a spectator reception of the survival. But it can do time which itself tries to find new play methodology. The expectation about a pleasure which a padding aesthetic contentment gives became clear gauge which makes the audience come to the public performance. But the limit of the repertory appeared everyday most extremes performing constantly intended light public performance form to overcome such limit. Singers come out simply and sing a song, the girls who the age is young come out and dance which is the selection audience just staied in the catharsis and showed the aspect of simple reception. Then we regarded and made early 1930 public performance activities audience to be new. It have the advantage to make that we turn audience off so that we come to the theater. The effort of Hong hae-seung(홍해성) which we oppose the interval and intend genuine play to in such background, The play to have a narration structure is activated Mid 1930 plays became the gauge to get the vigor. And it became the natural disposition even though we took the place to the one part of the public performance art to the means of a culture enjoyment. It will do the limit which the popular theatre has as made the countenance to overcome little.