고려말 유방택(柳方澤) 복식의 재현에 관한 연구
A Study on Reappearance of the Costume of Yoo Bang-Taek in the late Goryeo Dynasty
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Bang-Taek Yoo (Geumheon) as a meritorious and astronomer in late Goryeo and the Costume of Bang-Taek Yoo was reappeared using Sa-Dae-Mun-La-Geon and Jik-Ryeong-Po (Coat with straight collar). The Costume was made after measuring a 50’s male person from Chungcheong-do which was the hometown of Bang-Taek Yoo. Sa-Dae-Mun-La-Geon was made using Hang-Ra and traditional Korean paper based on the Sa-Dae-Mun-La-Geon possessed by Onyang Museum. Jik-Ryeong-Po was made with the silk woven in Hamchang with natural dyeing with gall based on the Jik-Ryeong-Po of Hyo-Sang Song (1430-1490), the Jik-Ryeong-Po of Heung-Jo Kim (1461-1528), and partial elements of the Mu (cloths of which the part under the armpit is closed) and Ba-Dae (inside patch lining to strengthen clothing) of Dap-Ho. As the costume of Bang-Taek Yoo who was a meritorious in late Koryo was ascertained and reappeared based on literatures, excavated costumes, and portraits, the result may be used in drawing the portrait of Bang-Taek Yoo and for the costumes of the scholars in late Goryeo and the appearance of Sa-Dae-Mun-La-Geon, which was popular in Goryeo Dynasty, would be a meaningful work.
Abstract
Bang-Taek Yoo (Geumheon) as a meritorious and astronomer in late Goryeo and the Costume of Bang-Taek Yoo was reappeared using Sa-Dae-Mun-La-Geon and Jik-Ryeong-Po (Coat with straight collar). The Costume was made after measuring a 50’s male person from Chungcheong-do which was the hometown of Bang-Taek Yoo. Sa-Dae-Mun-La-Geon was made using Hang-Ra and traditional Korean paper based on the Sa-Dae-Mun-La-Geon possessed by Onyang Museum. Jik-Ryeong-Po was made with the silk woven in Hamchang with natural dyeing with gall based on the Jik-Ryeong-Po of Hyo-Sang Song (1430-1490), the Jik-Ryeong-Po of Heung-Jo Kim (1461-1528), and partial elements of the Mu (cloths of which the part under the armpit is closed) and Ba-Dae (inside patch lining to strengthen clothing) of Dap-Ho. As the costume of Bang-Taek Yoo who was a meritorious in late Koryo was ascertained and reappeared based on literatures, excavated costumes, and portraits, the result may be used in drawing the portrait of Bang-Taek Yoo and for the costumes of the scholars in late Goryeo and the appearance of Sa-Dae-Mun-La-Geon, which was popular in Goryeo Dynasty, would be a meaningful work.
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