본문 바로가기
KERD
논문KCI 등재

아르키메데스 타일링 기법을 응용한 제주효제문자도의 텍스타일 패턴디자인 개발 - <충>자도를 중심으로 -

The Development of Textile Pattern Design using Archimedean Tiling of Jeju-Hyojemunjado - Focused on <Chung> Characters -

0

조회

0

다운로드

7

인용

0

참고문헌

키워드

주제분류의상

초록

In the global fashion market, the need of design with national culture and its meaning appears. For this purpose, the combination between traditional cultural prototype and the contemporary technology is stressed in the creative design development. The aim of this study is to develop a modern textile pattern design by applying traditional cultural prototype as a specialization strategy of local cultural contents related to traditional culture. For this purpose, the study selected character <Chung> (fidelity) among Jeju-Hyojemunjado as a traditional cultural prototype. The reason why <Chung> is selected is to remind fidelity as an essential virtue in the contemporary community where the didactic meaning of <Chung> has diminished. On the basis of the result of examination of symbolic meaning and formative characteristics of <Chung>, modern textile pattern design was developed and suggested by applying Archimedean tilings. The study selected a strong character with drawing features among <Royalty> in Jeju-Hyojemunjado, made motif in the method of rotation, deformation, assembly and disassembly. Also, it has patternized into 12 Archimedean tilings(3 Platonic-tilings and 9 semi-tilings) techniques and developed and suggested modern sense of textile designs. A symbolism on fidelity, chastity and integrity was expressed in dragon, carp, shrimp, clam, and bamboo as the symbolic meanings and formative characteristics of <Chung>. It was composed of unique formation of 2-layers or 3-layers of screen display which icons fish like carp, horse-head, bird, flower, plant, and constellation were appeared. Motif was extracted from it and basic repetition unit is reconstructed in the manner of rotation of line, deformation, combination, and disassembly. This repeat was used to design 12 kinds of patterns using Archimedean tilings that consisted of 3 Platonic-tilings and 9 semi-tilings. For design manufacturing tools, Adobe CS5(Photoshop & Illustrator) and TexPro Design CAD were used. In conclusion, as the study developed and suggested a textile pattern design of <Chung> among Jeju-Hyojemunjado in order to construct competitive local cultural contents from traditional and unique cultural resources extracted in the traditional culture of Jeju, it demonstrated sufficient possibility for traditional cultural prototype to be used as a fashion cultural goods. Furthermore, it is expected that textile pattern developed based on traditional cultural prototype could be applied to the development of fashion cultural goods.

Abstract

In the global fashion market, the need of design with national culture and its meaning appears. For this purpose, the combination between traditional cultural prototype and the contemporary technology is stressed in the creative design development. The aim of this study is to develop a modern textile pattern design by applying traditional cultural prototype as a specialization strategy of local cultural contents related to traditional culture. For this purpose, the study selected character <Chung> (fidelity) among Jeju-Hyojemunjado as a traditional cultural prototype. The reason why <Chung> is selected is to remind fidelity as an essential virtue in the contemporary community where the didactic meaning of <Chung> has diminished. On the basis of the result of examination of symbolic meaning and formative characteristics of <Chung>, modern textile pattern design was developed and suggested by applying Archimedean tilings. The study selected a strong character with drawing features among <Royalty> in Jeju-Hyojemunjado, made motif in the method of rotation, deformation, assembly and disassembly. Also, it has patternized into 12 Archimedean tilings(3 Platonic-tilings and 9 semi-tilings) techniques and developed and suggested modern sense of textile designs. A symbolism on fidelity, chastity and integrity was expressed in dragon, carp, shrimp, clam, and bamboo as the symbolic meanings and formative characteristics of <Chung>. It was composed of unique formation of 2-layers or 3-layers of screen display which icons fish like carp, horse-head, bird, flower, plant, and constellation were appeared. Motif was extracted from it and basic repetition unit is reconstructed in the manner of rotation of line, deformation, combination, and disassembly. This repeat was used to design 12 kinds of patterns using Archimedean tilings that consisted of 3 Platonic-tilings and 9 semi-tilings. For design manufacturing tools, Adobe CS5(Photoshop & Illustrator) and TexPro Design CAD were used. In conclusion, as the study developed and suggested a textile pattern design of <Chung> among Jeju-Hyojemunjado in order to construct competitive local cultural contents from traditional and unique cultural resources extracted in the traditional culture of Jeju, it demonstrated sufficient possibility for traditional cultural prototype to be used as a fashion cultural goods. Furthermore, it is expected that textile pattern developed based on traditional cultural prototype could be applied to the development of fashion cultural goods.

참고문헌 (20)

  1. 윤열수, "문자도를 통해 본 민화의 지역적 특성과 작가 연구", 박사, 미술사학, pp.2007
  2. 유홍준, "문자도", pp.28~ (1998), 대원사
  3. 이명구, "조선후기 효제문자도와 지방적 조형특성 연구-효제문자도의 그래픽 콘텐츠를 중심으로-", 디자인학연구, 17(4), pp.23~ (2004), 한국디자인학회
  4. 조은주, "타일링 기법을 적용한 제주효제문자도의 텍스타일 패턴디자인 개발: 충자도를 중심으로", 2014 한국복식학회 추계 학술대회 발표논문집, pp.249~250 (2014)
  5. 제주대학교박물관, "제주대학교박물관 소장 유물도록 제주를 품은 옛 그림과 글씨", 46~ (2008)
  6. 전은자, "제주도 효제문자도 연구", 탐라문화, (36), pp.221~260 (2010), 탐라문화연구소
  7. 이명구, "동양의 타이포그래피 문자도", pp.214~ (2005), 리디아
  8. 정병모, "제주도 민화, 문자도 병풍화의 연구", 강좌미술사, (24), pp.191~228 (2005), 한국불교미술사학회
  9. 장지영, "조선후기 문자도의 상징성과 조형성 : 효제문자도를 중심으로", 석사, 미술교육, pp.2006
  10. 가회박물관출판부, "가회박물관소장품도록 문자도", 8~ (2004)
  11. 장현주, "문화원형을 활용한 패션상품개발을 위한 조형성 분석 -민화 효제문자도를 중심으로-", 한국디자인포럼, (38), pp.27~38 (2013), 한국디자인트렌드학회
  12. 서민자, "조선후기 효제문자도에 반영된 효·충 사상 연구", 석사, 문화재, pp.2009
  13. 임두빈, "민화란 무엇인가", pp.151~ (1997), 서문당
  14. 임병수, "전통 박쥐문양을 활용한 남성 패션상품 개발 : 테셀레이션(tessellation) 기법을 중심으로", 석사, 의상학과 의상학전공, pp.2013
  15. "알함브라 궁전"[URL]
  16. 권혜진, "세계적 특수성을 개념으로 한 한국의 패턴디자인 개발", 석사, 시각정보디자인, pp.2004
  17. "Flying Fish" (1949)[URL]
  18. 임병수, "전통 박쥐문양을 활용한 남성 패션상품 디자인 개발 - 테셀레이션 배치법 및 클림트 작품의 색채 활용을 중심으로 -", 패션 비즈니스, 17(2), pp.95~116 (2013), 한국패션비즈니스학회[DOI]
  19. 마이크 애스큐, "기하학캠프", pp.104~ (2012), 컬처룩
  20. 오희선, "텍스타일 디자인론", pp.107~108 (1996), 교학연구사

관련 논문AI추천

이 간행물의 다른 논문 (10건)