중국 하북성 고의촌(固義村) 나희(儺戲)복식 연구
A study on Na Costume in Go-ui Village (固義村), Hebei Province, China
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This study analyzed the kind of costumes which villagers wore whenever the traditional Na was annually held at New Year's Day, in Go-ui village, Hebei Province, China. As the study methods, a literature review and two field investigations were conducted. The findings show following characteristics of costumes by characters who participated in rituals and feasts. First, the costumes of characters taking part in the Na are based on Chinese traditional ones, indicating the traditional characteristic of costumes for classical Chinese opera which has been partially changed or to which some dramatic factors have been added. Second, each character appearing in the Na wore their own costumes representing their roles and statuses, implicating the symbolist one of colors and patterns embedded in the traditional culture. Third, red colors were used for cloth of masks and trousers worn by legendary hermits, suggesting the red colors' incantatory one as an exorcism function which expelled bad evils and prayed for well-being.
Abstract
This study analyzed the kind of costumes which villagers wore whenever the traditional Na was annually held at New Year's Day, in Go-ui village, Hebei Province, China. As the study methods, a literature review and two field investigations were conducted. The findings show following characteristics of costumes by characters who participated in rituals and feasts. First, the costumes of characters taking part in the Na are based on Chinese traditional ones, indicating the traditional characteristic of costumes for classical Chinese opera which has been partially changed or to which some dramatic factors have been added. Second, each character appearing in the Na wore their own costumes representing their roles and statuses, implicating the symbolist one of colors and patterns embedded in the traditional culture. Third, red colors were used for cloth of masks and trousers worn by legendary hermits, suggesting the red colors' incantatory one as an exorcism function which expelled bad evils and prayed for well-being.
참고문헌 (23)
- 김은정, "중국 무속복식의 상징성에 관한 연구 - 귀주성 덕강현 나제를 중심으로 -", 한국의상디자인학회지, 17(2), pp.111~124 (2015), 한국의상디자인학회
- 장국강, "중국 儺 개관", 한민족어문학(구 영남어문학), (48), pp.155~194 (2006), 한민족어문학회
- 김은정, "중국 나(儺)에 나타난 무복에 관한 연구 - 남풍현 나를 중심으로", 한복문화, 19(2), pp.73~84 (2016), 한복문화학회[DOI]
- 최은수, "2002년 사업별 보도기사 ‘문화시대 문화한 국’", pp.88~ (2002), 문화
- 전경욱, "중국 하북성 무안(武安) 고의촌(固義村)의 삼야성회(三爺聖會)와 나희(儺戱)", 민속학연구, (37), pp.71~97 (2015), 국립민속박물관
- 김정호, "동아시아 무속의례의 이야기 수용 연구 -굿․나희․가구라를 중심으로-", 어문론집, 50, pp.229~264 (2012), 중앙어문학회[DOI]
- 탄위엔지에, "중국경극의상", pp.355~ (2011), 민속원
- 郭卉, "중국전통 청대 의복을 대상으로 해체주의를 응용한 디자인 연구", 석사, 의상디자인학, pp.2008
- 박춘순, "중국 소수민족 복식", pp.238~ (2002), 민속원
- 소황옥, "중국 소수민족과 복식", pp.135~ (2008), 경춘사
- 염흔, "한국 중국 일본 가면의 의미연구", 석사, 미술학과 시각디자인전공, pp.2013
- 王鸣, "中国服装史", pp.179~ (2013), 上海交通大学出版社
- 탄위엔지에, "中国京劇服裝图谱", pp.16~ (2008), 北京工艺 美术出版社
- "水袖"[URL]
- 진단, "중국 및 한국 전통복식 문양의 비교 연구와 이를 활용한 텍스타일디자인 제안", 석사, 의류패션, pp.2009
- 조소화, "中国京劇服飾", pp.86~87 (1999), 五洲傳播出版社
- "城隍"[URL]
- "判官, 五道, 四尉"[URL]
- 국립민속박물관, "신의 표정 인간의 몸짓 중국탈", pp.58~ (2002), 삼광문화
- 이정옥, "중국복식사", pp.199~200 (2000), 형설
- 신경섭, "경극 <독무관>의 연개소문 무대의상 디자인 연구", 박사, pp.1998
- 呂友仁, "周禮·夏官·方相氏", pp.404~ (2004), 中州古籍出 版社
- 장국강, "한국과 중국의 무속의례 비교연구", 한민족어문학(구 영남어문학), 30(50), pp.187~216 (2007), 한민족어문학회