춘앵전 무동 복식에 관한 연구
A Study on the Mudong costume of Chunaengjeon
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The Chunaengjeon was performed in 28th year of Sunjo's reign in Joseon Dynasty, which is a major performance that presently appear in reappearance performance regularly. Chunaengjeon remains in existence due to constant efforts of dance academy for restoration, which is a flower of Jeongjae that is well preserved with its original form the best until now. This study examines the transformations of the Chunaengjeon Mudong costumes from its beginning until now. It envisions to help restore and better represent the costumes for Mudong(boys who danced for the royal court) in Chunaengjeon by suggesting new costume items which haven't been restored for the current representation performances. This study identified and analyzed the types, shapes, and colors of the Chunaengjeon Mudong costumes through the Annals of Joseon Dynasty, Akhakgwebeom, as well as other old documents, previous studies, and books with a focus on Ceremony Manuals. The results allude that Noksagweja, Honghansam, Osadae, and Hohwa are not represented accurately in the current representation performances. The new findings are as follows: First, it seems more convincing that Noksagweja had Jigbaerae(rather narrow sleeves with a distinct design) and that its back was open. Second, Honghansam weren’t worn on wrists, but were attached to the Sugu. Third, Osadae should be black, and Hohwa should be black as well with a stand up collar. As such, it is critical to review the restoration of the current Chunaengjeon Mudong costumes, followed by efforts to restore the costumes, in addition to Jeongjae.
Abstract
The Chunaengjeon was performed in 28th year of Sunjo's reign in Joseon Dynasty, which is a major performance that presently appear in reappearance performance regularly. Chunaengjeon remains in existence due to constant efforts of dance academy for restoration, which is a flower of Jeongjae that is well preserved with its original form the best until now. This study examines the transformations of the Chunaengjeon Mudong costumes from its beginning until now. It envisions to help restore and better represent the costumes for Mudong(boys who danced for the royal court) in Chunaengjeon by suggesting new costume items which haven't been restored for the current representation performances. This study identified and analyzed the types, shapes, and colors of the Chunaengjeon Mudong costumes through the Annals of Joseon Dynasty, Akhakgwebeom, as well as other old documents, previous studies, and books with a focus on Ceremony Manuals. The results allude that Noksagweja, Honghansam, Osadae, and Hohwa are not represented accurately in the current representation performances. The new findings are as follows: First, it seems more convincing that Noksagweja had Jigbaerae(rather narrow sleeves with a distinct design) and that its back was open. Second, Honghansam weren’t worn on wrists, but were attached to the Sugu. Third, Osadae should be black, and Hohwa should be black as well with a stand up collar. As such, it is critical to review the restoration of the current Chunaengjeon Mudong costumes, followed by efforts to restore the costumes, in addition to Jeongjae.
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