Characteristics and potentials of Batak art-crafts in Indonesia
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The Batak ethnic group is one of the largest ethnic groups in Indonesia, with abundant cultures, enormous cultural heritages, and unique art-crafts that bolster the economy of the country. More so, the Bataks have six tribles which include Batak Toba, Karo, Pakpak, Simalungun, Mandailing, and Angkola. These tribes also have their own peculiar cultures, cultural heritages and, more importantly, art-crafts. In view of art-crafts, the Batak ethnic group is known for its creativity in, inter alia, metal, wood, traditional architecture, and textile art-crafts. These art-craft products are instrumental in tourism development in Batak. Beyond the economic importance of these art-craft products, they also have symbolic meanings to the Bataknese. For illustrative purposes, the spiral shape of the Padung-padung symbolically represent the power of the sun and the moon, air, water, thunder, and lightning, vortex, and creativity in Batak society. From the foregoing, this paper focuses on Batak art-crafts, to wit, ulos, padung-padung, Batak traditional architecture, and wood carvings, especially their characteristics and potentials. Consequently, the symbolic values of these art-crafts and their economic contributions to Indonesia are vigorously reviewed. The paper argues that Batak art-crafts not only have symbolic values in the spiritual and communal lives of the Bataks but also contribute to the economy of Indonesia through tourism and the creative economy. The paper also identifies some challenges confronting Batak art-crafts in contemporary society like education, religion, globalisation, and technology. The paper argues that though education, religion, globalisation, and technology are essential elements of a developed country, they also contribute in swaying the interest of the new generation from their cultures or introducing foreign cultures to the millennials. It is submitted that whereas Batak art-crafts should be preserved, there is a need to make them compatible to modern society, especially in view of the millennials, tourism and the creative economy in Indonesia.
Abstract
The Batak ethnic group is one of the largest ethnic groups in Indonesia, with abundant cultures, enormous cultural heritages, and unique art-crafts that bolster the economy of the country. More so, the Bataks have six tribles which include Batak Toba, Karo, Pakpak, Simalungun, Mandailing, and Angkola. These tribes also have their own peculiar cultures, cultural heritages and, more importantly, art-crafts. In view of art-crafts, the Batak ethnic group is known for its creativity in, inter alia, metal, wood, traditional architecture, and textile art-crafts. These art-craft products are instrumental in tourism development in Batak. Beyond the economic importance of these art-craft products, they also have symbolic meanings to the Bataknese. For illustrative purposes, the spiral shape of the Padung-padung symbolically represent the power of the sun and the moon, air, water, thunder, and lightning, vortex, and creativity in Batak society. From the foregoing, this paper focuses on Batak art-crafts, to wit, ulos, padung-padung, Batak traditional architecture, and wood carvings, especially their characteristics and potentials. Consequently, the symbolic values of these art-crafts and their economic contributions to Indonesia are vigorously reviewed. The paper argues that Batak art-crafts not only have symbolic values in the spiritual and communal lives of the Bataks but also contribute to the economy of Indonesia through tourism and the creative economy. The paper also identifies some challenges confronting Batak art-crafts in contemporary society like education, religion, globalisation, and technology. The paper argues that though education, religion, globalisation, and technology are essential elements of a developed country, they also contribute in swaying the interest of the new generation from their cultures or introducing foreign cultures to the millennials. It is submitted that whereas Batak art-crafts should be preserved, there is a need to make them compatible to modern society, especially in view of the millennials, tourism and the creative economy in Indonesia.
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