Comparative Analysis of Indonesian Batik Traditional Patterns: Focused on Patterns of Yogyakarta and Pekalongan in Java Island
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This paper considers the field of Indonesian Java Island’s batik traditional patterns as the main subject of its study. The aims of this research are threefold: to establish a framework of batik pattern analysis, to compare characteristics of traditional batik patterns by focusing on Yogyakarta and Pekalongan patterns of Java Island, and to investigate academic research of batik patterns. The qualitative data were collected and maintained by several books, journal articles, documentaries, web pages, and dissertations. The author gathered sample images and information of two regions' ten batik traditional patterns and analyzed characteristics: motif, symbol, color, and structure. The comparative analysis of batik pattern by regions as Yogyakarta and Pekalongan was completed in chapter four. The results of this research generated a significant contribution for detailed batik pattern analysis. In motif comparison, most of the Yogyakarta pattern classified into ‘Plants’ and ‘Natural Objects,’ but there was no ‘Animals’ type of motif in Yogyakarta. Most of the Pekalongan pattern classified into ‘Plants’ and ‘Animals,’ but there was no ‘Nature Objects’ type of motif in Pekalongan. Yogyakarta patterns are rich in symbolism, but Pekalongan patterns are less symbolized. Yogyakarta habitant used all the shades of brown color and indigo color. Pekalongan’s case, chemical dye staffs, were used and enabled them to create with various color of the palette. The Yogyakarta patterns were sorted into ‘Geometric’ structure type, but Pekalongan patterns were sorted into ‘Non-geometric’ type. For further research, other regions’ pattern and all types of patterns could be applicable in the framework.
Abstract
This paper considers the field of Indonesian Java Island’s batik traditional patterns as the main subject of its study. The aims of this research are threefold: to establish a framework of batik pattern analysis, to compare characteristics of traditional batik patterns by focusing on Yogyakarta and Pekalongan patterns of Java Island, and to investigate academic research of batik patterns. The qualitative data were collected and maintained by several books, journal articles, documentaries, web pages, and dissertations. The author gathered sample images and information of two regions' ten batik traditional patterns and analyzed characteristics: motif, symbol, color, and structure. The comparative analysis of batik pattern by regions as Yogyakarta and Pekalongan was completed in chapter four. The results of this research generated a significant contribution for detailed batik pattern analysis. In motif comparison, most of the Yogyakarta pattern classified into ‘Plants’ and ‘Natural Objects,’ but there was no ‘Animals’ type of motif in Yogyakarta. Most of the Pekalongan pattern classified into ‘Plants’ and ‘Animals,’ but there was no ‘Nature Objects’ type of motif in Pekalongan. Yogyakarta patterns are rich in symbolism, but Pekalongan patterns are less symbolized. Yogyakarta habitant used all the shades of brown color and indigo color. Pekalongan’s case, chemical dye staffs, were used and enabled them to create with various color of the palette. The Yogyakarta patterns were sorted into ‘Geometric’ structure type, but Pekalongan patterns were sorted into ‘Non-geometric’ type. For further research, other regions’ pattern and all types of patterns could be applicable in the framework.
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