조선 시대 궁중 보자기를 활용한 디지털 패션디자인 개발

Abstract

This study aims to develop digital fashion designs using the results of analyzing the shape, color, pattern, and material of Gungjung-bojagi from the Joseon Dynasty. Through a literature review, the research method examines the concept and history of bojagi and the types and characteristics of royal wrapping cloth from the Joseon Dynasty. It also considers examples of fashion design using bojagi. A total of 135 images of Gungjung-bojagi from the Joseon Dynasty were collected through collection catalogs and specialized books of the National Palace Museum of Korea and Seoul Museum of Craft Art. The development of digital fashion design was conducted using 3D fashion design software '3D CLO' version 7.2. Joseon Dynasty Gungjung-bojagi is classified into single-layer, double-layer, cotton, quilted, and matted cloth according to form and composition. The analysis results of the characteristics of Gungjung-bojagi of the Joseon Dynasty, such as shape, color, material, and pattern, are as follows. First, the types of royal wrapping cloths during the Joseon Dynasty were divided into those with and without strings. Those with strings were further classified according to the number of strings and their attachment placements. Second, the colors shown on the Gungjung-bojagi were the traditional Korean five primary colors and Korean five secondary colors, mainly blue, red, purple, and green in ltg, sf, s, and v tones. Third, the patterns used on Gungjung-bojagi were colorful and splendid, with various treasure patterns, animal patterns, flower patterns, and fruit patterns symbolizing the royal family's authority and containing auspicious meanings. Fourth, the material of Gungjung-bojagi varied depending on the purpose and function of the bojagi, but cotton, linen, and silk fabrics were mainly used. Based on this analysis, eight digital fashion designs using Gungjung-bojagi from the Joseon Dynasty were developed with the design concept of 'K-POP,' which significantly contributed to promoting Korean popular culture globally. Accordingly, this study is meaningful in preserving our cultural heritage and seeking ways to utilize it in the new fashion and K-culture industries.