18세기 중·후반 가집 특성의 일국면-『永言類抄』, 『解我愁』를 대상으로-

Abstract

This study examined the literary features and historical meanings of two songbooks, Yeongeollyucho(hereinafter referred to as Yeongryu) and Haeasu(1761), whose identities have not been clearly investigated, with the focus on the arrangement principles of the two songbooks. As a movement to reflect on an approach to research on 18th century songbooks which had focused on the representative songbooks of the 18th, the study attempted to identify little known books and reillustrate them in terms of literature based on the results of previous studies. As a result, it was found that the two songbooks, which had failed to attract attention due to a lack of information on the authors and related records such as Seo and Bal, have common internal order like categorization by musical piece and the principle of association. Especially, the two songbooks show the significantly distinctive principle of association in the item of 'Sakdaeyeop,' indicating that the two songbooks aggressively reflects the singing culture of those times. In addition, Yeongryu displays the consciousness of the author through the principle of 'extraction,' and Haeasu shows grouping works by author and the principle of association more distinctively than Yeongryu, indicating that songbooks have their own individual characteristics. Likewise, the two songbooks are significant in terms of literature because after the publication of Cheongjin, they show the trend of the middle and late 18th century when the arrangement principle and features of works were changing dynamically along with the atmosphere of those times characterized by the expansion of singing culture. When these views and discussions are accumulated, the features of songbooks published between the 18th and 19th century will be viewed from more various perspectives.