18~19세기, 시적 공간으로서의 한양에 대한 일고찰 - 교류와 통합, 공존에 주목하여 -

Abstract

I am interested in the changing the people's awareness inherent in the works which were figuring the space 'Hanyang' in 18~19th century. I also focus on researching the time's poets' perspectives and awareness in the works especially. I study on the literary meanings of Hanyang as a poetic space at 18~19th century in the works of three literary genre -Sijo, Gasa and Chinese poetry from the side of figuring aspects it. I noticed to a middle-class community - civic space go after development of town and commercialization, high class' high culture and low class' subculture had been exchanging each other so they had shown aspects being integrating and coexisting in the poetic space. In the poetic works at 18~19th century, Hanyang was figured as a space of the nobility, ethical and Confucian space or a space of the people, worldly passions. But I verified that the opposite aims had been harmonized, combined and coexisted in the newly raised civic space at the period. The aspect are following. First, two tendencies figuring aim for a space of Confucian dignity and a space of worldly passions were coexisted. Second, typical nobility poet classified in high were shown parallel cultural diversion which had been combining high culture and subculture by figuring the secular character and life vividly in the high class genre Chinese poet. At last, typical ideological attitude like blessing Chosun dynasty or expressing a self-esteem as a Capital and a popularity of the civic space were coexisted in a same work. Civic space was a commercial space. This condition had been the foundation of promoting trade or exchange products and culture so it became public, actual and concrete space. I partly confirm that 'Civic space' as a poetic space was figured out the space of trade, harmonizing, coexisting, parallel diversion and multitudes. 'Hanyang' as 18~19th century's poetic space was figured out as a space of harmony so it became the space of combining and coexisting existed nobility's ideological values and actual․worldly values rather than arguing renovation or exposing social troubles in the objective works of this thesis. This thesis has some limitation to researching entire meanings of Hanyang as 18~19th century's poetic space because of a presentation with the non-wide data and a shortage of the novelty of the data. I will extend my assertion in order to finding ou t an unified understanding about the poetic space in 18~19th century's poem.