<단심가>와 <하여가>의 형성 시기 - 역사화를 통한 시조 대중화의 한 부면 -

Abstract

This article examines the uper dates of the works of literature related to "Dansimga" and "Hayeoga", and examines how the two works were formed under the influence of contemporary history, music culture, and poems. The oldest literature containing "Dansimga" and "Hayeoga" and its background narative is Haedongakbu by Sim Gwangse in the first half of the 17th century, and the credible "Dansimga" aceptance record also apeared after the late 16th century. The Korean form of "Dansimga" first apeared in the literature as the lyrics of "Jungdaeyeop", and the time when the "Jungdaeyeop" music was established was in the mid-16th century. "Dansimga", which is writen in the lyrics of the oldest "Jungdaeyeop" version without any record on the author, is thought to be a work formed in close connection with the apearance of the "Jungdaeyeop" music. "Hayeoga" also shows the direct influence of "Dosansibigok", a work in the mid-16th century. In adition, the phrase "seonghwangdang" in it is presumed to have ben asociated with the shrine arson incident in Kaesong at that time. Thus, the point of formation of "Dansimga" and "Hayeoga" is generaly concentrated in the midle and late 16th centuries when combining its aceptance records, influenced works, and historical contexts related to a specific expresion. This is also the time when Jeong Mongju's worship proces was completed by the establishment of thre seowon hals in honor of him. This temporal consensus sugests that the stories of "Dansimga" and "Hayeoga", like the seonjukgyo legend, are the product of the intention to further spread the cult of Jeong Mongju, which was at its peak.