장 쥬네의 『하녀들』에 나타난 욕망과 한국에서의 수용 양상 - 박정희 연출의 <하녀들>을 중심으로
Aspects of desire in The Maids by Jean Genet and its acceptation by Koreans - case of Junghee Park's representation
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The Maids has been considered the representative of the plays written by Jean Genet, It is also recognized to be a classic of the contemporary plays since it was appointed as a repertory play of Comédie Française in 1997. It's one of the most popular modern dramas Korean people fancy putting on the stage. There is, however, a paradox concerning acceptation of this play by Koreans. Korean people are so interested in this play although they feel it so difficult to understand. This article supposes that one of the most important reasons that cause this trouble is connected with failure to notice the logic of ethic proper to Jean Genet concerning the correlation of the evil and the sacred. This article investigated what Genet's logic of ethic is like and examined what kind of confusion is resulted when this singular logic of Genet is passed over through the case of Junghee Park's representation which is estimated one of the best stages of The Maids in Korea. The critical analyse by this article on the case of Junghee Park's will function as a touchstone to make us notice and solve the problem in interpretation Korean people have made of The Maids so far.
Abstract
The Maids has been considered the representative of the plays written by Jean Genet, It is also recognized to be a classic of the contemporary plays since it was appointed as a repertory play of Comédie Française in 1997. It's one of the most popular modern dramas Korean people fancy putting on the stage. There is, however, a paradox concerning acceptation of this play by Koreans. Korean people are so interested in this play although they feel it so difficult to understand. This article supposes that one of the most important reasons that cause this trouble is connected with failure to notice the logic of ethic proper to Jean Genet concerning the correlation of the evil and the sacred. This article investigated what Genet's logic of ethic is like and examined what kind of confusion is resulted when this singular logic of Genet is passed over through the case of Junghee Park's representation which is estimated one of the best stages of The Maids in Korea. The critical analyse by this article on the case of Junghee Park's will function as a touchstone to make us notice and solve the problem in interpretation Korean people have made of The Maids so far.
참고문헌 (22)
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