빅토리아조 잡지와 선정소설의 상호텍스트성 연구: 메리 엘리자베스 브래던의 『 엘리너의 승리』
A Study of Intertextuality between the Victorian Magazine and the Sensation Novel: Mary Elizabeth Braddon's Eleanor's Victory
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Abstract
The magazine editors in 1860's developed the intertextual strategies which influenced the formation of Victorian culture. The magazines in which sensation novels were serialized provided a sensational discourse for their non-fiction features, just as the novels adopted the styles of popular sensational journalism for their themes. This paper examines the intertextuality between the Victorian magazine and the serialized sensation novel focusing on Once a Week and Mary Elizabeth Braddon's Eleanor's Victory. Braddon adopted the traditional popular genres such as melodrama, popular art, and theatre into the sensational stories for middle-class consumption. She used the possibilities of magazine discourse as establishing her literary reputation, focusing on the intertextual connections between the instalments of the novel and the accompanying articles and stories of the magazine. She asserted the value of popular art and sensationalism within the mystery plot of the text. In particular, the detailed map of contemporary forms of literature, art and drama, and the similarities between high and popular culture were emphasized in Eleanor's Victory. The magazine, Once a Week also carried variety of cultural formations, providing readers of Braddons's serial with an opportunity to further explore the topics she dealt with. The new reading practices brought about by the intertextual strategies of the editors of Once a Week and Braddon contributed to the formation of Victorian literary culture.
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