19세기 중？후반의 척독집 수용과 편찬

Abstract

This dissertation is to expand the understanding of Chukdok(尺牘) in the late Joseon Dynasty(朝鮮) as it studies the compilation and enjoyment of Chukdok collection(尺牘集) in the latter period of 19th century. Having looked into the knowledge of educated men on Chukdok(尺牘), it discovers that Chukdok(尺牘) in the latter period of 19th century maintained original and distinctive expression while it attempted to include profound contents within liberal structures beyond individual's sincere expression, pursued in the 18th century Sopum Chukdok(小品尺牘). This dissertation is divided into 'the adoption and compilation of Chinese Chukdok collection(尺牘集)' and 'the compilation and enjoyment of Korean Chukdok collection(尺牘集).' The former part is to deal with 'Chukdok collection(尺牘集) widely read by educated men prior to the 19th century,' 'newly adopted and popular Chukdok collection(尺牘集) in the latter period of the 19th century,' and 'the compilation of Chukdok collection(尺牘集) beyond the adoption of Chinese Chukdok collection(尺牘集).' The latter part is to focus on 'the compilation of individual Chukdok collection(尺牘集),' 'the selective compilation of renowned works,' and 'Chukdok(尺牘) compiled by Chinese and Korean.' Among the Korean Chukdok(尺牘), Kim, Jung-hee's work was one of the most transcribed Chukdok(尺牘) in the 19th century. It indicates that the contemporary people loved Chusa Chukdok(秋史尺牘) and Chusa Chukdok(秋史尺牘) contained various elements of culture and art which the contemporary people were interested in.