The Political Kinetics of H. G. Wells’s Scientific Romances: The Time Machine and The Invisible Man
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Due to their eccentric and often controversial nature, H. G. Wells’s political writings have often been treated separately from his enormously popular scientific romances, and this trend ends up creating what Robert Shelton calls “two Wellses” in “Wellsian scholarship.” This paper, however, argues that there is an enduring relationship between Wells’s scientific romances and political writings. The former, which appeared early in his career, serve as a testing ground, where Wells experiments with his political ideas, and thus prove that there is a political kinetics working throughout his both literary and political writings. To illustrate this political kinetics, the paper examines two of Wells’s most famous scientific romances−The Time Machine and The Invisible Man−and argues that from these romances, he develops his political ideas that reject both democracy and capitalism. In The Time Machine, Wells highlights the importance of the unique and criticizes the tendency of democracy to neutralize the unique under the name of equality. Showing the dystopian future where the unique is eradicated, and also exiling the Time Traveller who, despite being unique, shares the dangerous democratic tendency, Wells expresses his disapproval of democracy, and this disapproval later develops into his political idea of the World State, where a small group of elites called the Samurai rule the world. In The Invisible Man, Wells conducts a critique of capitalism, especially of the power of money, that shows resemblance to Karl Marx’s critique of modern capitalism. Griffin the invisible man literally personifies the invisible power of money and acts in a way that is similar to that of a corrupted capitalist. By dispatching Griffin, Wells shows his distaste for such a capitalist and, by extension, capitalism, but he diverges from Marx in that he later decides to entrust the Samurai, not the proletariat, with the power of money and subsequently utopian economy.
Abstract
Due to their eccentric and often controversial nature, H. G. Wells’s political writings have often been treated separately from his enormously popular scientific romances, and this trend ends up creating what Robert Shelton calls “two Wellses” in “Wellsian scholarship.” This paper, however, argues that there is an enduring relationship between Wells’s scientific romances and political writings. The former, which appeared early in his career, serve as a testing ground, where Wells experiments with his political ideas, and thus prove that there is a political kinetics working throughout his both literary and political writings. To illustrate this political kinetics, the paper examines two of Wells’s most famous scientific romances−The Time Machine and The Invisible Man−and argues that from these romances, he develops his political ideas that reject both democracy and capitalism. In The Time Machine, Wells highlights the importance of the unique and criticizes the tendency of democracy to neutralize the unique under the name of equality. Showing the dystopian future where the unique is eradicated, and also exiling the Time Traveller who, despite being unique, shares the dangerous democratic tendency, Wells expresses his disapproval of democracy, and this disapproval later develops into his political idea of the World State, where a small group of elites called the Samurai rule the world. In The Invisible Man, Wells conducts a critique of capitalism, especially of the power of money, that shows resemblance to Karl Marx’s critique of modern capitalism. Griffin the invisible man literally personifies the invisible power of money and acts in a way that is similar to that of a corrupted capitalist. By dispatching Griffin, Wells shows his distaste for such a capitalist and, by extension, capitalism, but he diverges from Marx in that he later decides to entrust the Samurai, not the proletariat, with the power of money and subsequently utopian economy.
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