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수(Sue)의 인물 형상화와 서술기법: 『무명의 주드』 연구

Characterization of Sue and Narrative Method in Jude the Obscure

고영란
한국근대영미소설학회 (The Korean Society of British and American Fiction)|2009.04|근대영미소설 (British and American Fiction)|제16권 제1호|pp. 5-34

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참고문헌

키워드

수의 인물 형상화(characterization of Sue)서술기법(narrative method)『무명의 주드』(Jude the Obscure)주드로부터 거리두기(distancing from Jude)수의 실상(Sue's reality)작가/서술자의 유도(author/narrator's inducement)자연의 법(Nature's law)역사적 문맥(historical context)사회 변화(social change)사회적 불안(social unrest)
주제분류영어와문학

초록

The author/narrator of Jude the Obscure presents Jude through omniscient point of view, while he portrays Sue from the perspective of Jude, limiting access to her consciousness. Author/narrator often echoes Jude’s perspective on Sue, viewing her as “phantasmal, bodiless creature” and a spirit. On the other hand, author/narrator distances himself from Jude and shows Jude’s misunderstanding of Sue and implies his biases. Author/narrator reveals Sue’s reality by conveying her inner thought through free indirect discourse along with her dialogue and action as well. Because of the juxtaposition of two mutually inconsistent narrations, the novel seems contradictory. This incongruity, however, is not the result of Hardy’s personal contradiction and division but the outcome of a well-planned narrative strategy. Hardy doesn’t leave the apparent narrative contradiction unresolved, but induces readers to understand Sue as he intends, preventing readers from misinterpreting Sue. Furthermore, Hardy situates Sue within the historical context, linking her personal history to larger history of Victorian society. So Sue becomes a site for the expression of social change and its attendant social unrest.

Abstract

The author/narrator of Jude the Obscure presents Jude through omniscient point of view, while he portrays Sue from the perspective of Jude, limiting access to her consciousness. Author/narrator often echoes Jude’s perspective on Sue, viewing her as “phantasmal, bodiless creature” and a spirit. On the other hand, author/narrator distances himself from Jude and shows Jude’s misunderstanding of Sue and implies his biases. Author/narrator reveals Sue’s reality by conveying her inner thought through free indirect discourse along with her dialogue and action as well. Because of the juxtaposition of two mutually inconsistent narrations, the novel seems contradictory. This incongruity, however, is not the result of Hardy’s personal contradiction and division but the outcome of a well-planned narrative strategy. Hardy doesn’t leave the apparent narrative contradiction unresolved, but induces readers to understand Sue as he intends, preventing readers from misinterpreting Sue. Furthermore, Hardy situates Sue within the historical context, linking her personal history to larger history of Victorian society. So Sue becomes a site for the expression of social change and its attendant social unrest.

참고문헌 (20)

  1. 고영란, "빅토리아조 성 담론 패러디로서의 『무명의 주드』", 근대영미소설, 10(2) (2003), 한국근대영미소설학회
  2. 김영환, "『무명의 쥬드』의 현대성: 성애의 탐구와 서술전략", 비평과이론, 8(2), pp.27~47 (2003), 한국비평이론학회
  3. 손영희, "Thomas Hardy의 소설에 나타난 사회인식 연구", 박사, pp.1999
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  5. Boumelha, Penny, "Thomas Hardy and Women: Sexual Ideology and Narrative Form" (1982), Harvester
  6. Brady, Kristin, "Textual Hysteria: Hardy’s Narrator on Women in : The Sense of Sex", pp.87~106 (1993), U. of Illinois P
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  9. Hardy, Thomas, "Jude the Obscure" (1999), Norton
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  13. Kramer, Dale, "Thomas Hardy: The Forms of Tragedy" (1975), Wayne State UP
  14. Lodge, David, "Tess, Nature, and the Voices of Hardy in : Language of Fiction", pp.174~199 (2002), Routledge & Kegan Paul
  15. Miller, Hillis, "Thomas Hardy: Distance and Desire" (1970), Belknap
  16. Millgate, Michael, "Thomas Hardy: A Biography" (1982), Oxford UP
  17. Morgan, Rosemarie, "Women and Sexuality in the Novels of Thomas Hardy" (1988), Routledge
  18. Shires, Linda, "‘And I Was Unaware’: the Unknowing Omniscience of Hardy’s Narrators in : Thomas Hardy: Texts and Contexts", pp.31~48 (2002), Palgrave Macmillan
  19. Southerington, F. R., "Hardy’s Vision of Man" (1971), Barns & Noble
  20. Widdowson, Peter, "On Thomas Hardy: Late Essays and Earlier" (1998), Macmillan

관련 논문AI추천

무명의 주드에 나타난 여주인공의 주체성 추구곽승엽한국영어영문학회 · 영어영문학2021 · 제26권 제3호「무명의 주드」의 주체론: “되기”의 비극성유선무한국근대영미소설학회 · 근대영미소설2011 · 제18권 제3호Evolution or Degeneration in Thomas Hardy’s Jude the Obscure in the Context of the Darwinism김치헌한국문학과종교학회 · 문학과 종교2015 · 제20권 제3호The New Woman’s Predicament in The Story of an African Farm and Jude the Obscure신혜원한국영미문학페미니즘학회 · 영미문학페미니즘2012 · 제20권 제1호빅토리아조 성 담론 패러디로서의 『무명의 주드』고영란한국근대영미소설학회 · 근대영미소설2003 · 제10권 제2호Thomas Hardy의 『비운의 주드』에 나타난 사회부적응 문제 고찰박상만대한영어영문학회 · 영어영문학연구2008 · 제34권 제2호

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