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니이미 난키치(新美南吉)의 문장 속에 나타난 전쟁의 흔적

Trace of the war that a sentence of Nankichi Niimi showed

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초록

A magazine is to contribute “Gonkitsune" to “Akai Tori", and in 1932, 19-year-old Nankichi Niimi walks the way of the writer. At the time when Nankichi Niimi is active lively, it falls on time of the Pacific War. This report paid its attention to time of the Pacific War falling on a season of Nankichi Niimi in this way. I consider it what kind of influence the culture control of the war period had on activity and the work of Nankichi Niimi. Nankichi Niimi used a child magazine at that time as means to grasp culture control of the war period. For example, “new juvenile culture" or “children's story mind" are them. It was a chance and interchanged with a literary person of the cooperation of the war. Nankichi Niimi found out a method to survive the war period with interchange and the magazine with these writers. Therefore, it may be said that such way of life of Nankichi Niimi was one method for maintenance and work activity of the purenesses as the writers of children's story.

Abstract

A magazine is to contribute “Gonkitsune" to “Akai Tori", and in 1932, 19-year-old Nankichi Niimi walks the way of the writer. At the time when Nankichi Niimi is active lively, it falls on time of the Pacific War. This report paid its attention to time of the Pacific War falling on a season of Nankichi Niimi in this way. I consider it what kind of influence the culture control of the war period had on activity and the work of Nankichi Niimi. Nankichi Niimi used a child magazine at that time as means to grasp culture control of the war period. For example, “new juvenile culture" or “children's story mind" are them. It was a chance and interchanged with a literary person of the cooperation of the war. Nankichi Niimi found out a method to survive the war period with interchange and the magazine with these writers. Therefore, it may be said that such way of life of Nankichi Niimi was one method for maintenance and work activity of the purenesses as the writers of children's story.

참고문헌 (17)

  1. 新美南吉, "新美南吉全集 第8巻 解説III" (1965), 牧書店
  2. 都築久蔵, "戦時下の南吉", 日本児童文学, (10월) (1968), 日本児童文学協会, 盛光社
  3. 新美南吉, "校定 新美南吉全集 第2卷" (1980), 大日本図書
  4. 新美南吉, "校定 新美南吉全集 第3卷" (1980), 大日本図書
  5. 新美南吉, "校定 新美南吉全集 第12卷" (1981), 大日本図書
  6. 新美南吉, "校定 新美南吉全集 第8卷" (1981), 大日本図書
  7. 新美南吉, "手毬と鉢の子 良寛物語" (1941), 學習社文庫, 學習社
  8. 都築久蔵, "戦時下の南吉-その戦争観を中心に", 日本児童文学, (10월), pp.24~30 (1968)
  9. 関英雄, "体験的兒童文學史 後編" (1984), 理想社
  10. 赤座憲久, "再考新美南吉", 株式会社エフェー出版 (1993)
  11. 服部 裕子, "戦時体制と新美南吉 : 言論統制․ス文化統制の視点から", 文化科学研究, 7(2), pp.17~26 (1996), 中京大学
  12. "童話精神", 童話作家クラブ編集発行, ~ (1939)
  13. "新児童文化", 創刊号 巻頭文, 有光社, ~ (1940)
  14. 終刊号, "新児童文化" (1942), 有光社
  15. "小国民のための大東亜戦争詩", 国民図書刊行会, ~ (1944)
  16. 新美南吉童話の世界, "日本児童文学別冊", 日本児童文学者協会, ほるぷ教育開発研究所, ~ (1976)
  17. 日本児童文学, "特集 50年後の新美南吉", 日本児童文学者協会, 盛光社, ~ (1993)

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