미야자키 하야오(宮崎駿)의 『이웃의 도토로』(となりのトトロ)에 나타난 생태의식
Hayao Miyazaki‘s Ecological Consciousness of the Film “My Neighbour TOTORO”
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This study deals with Hayao Miyazaki‘s ecological consciousness that is indicated in the film “My Neighbour TOTORO(1988)”. The background of this movie is the middle golden days of the 1950s in terms of times and it is the rural district of Tokurozawa of Tokyo's suburbs in the spatial situation. So far the movie director usually has made stateless movies, but this movie is the first that reflects the character of “Japanese movie”. His message transfers from the concept of “human beings and nature” to that of “nature and ecology”. Firstly, Totoro, the Japanese shrine of Inari, Ksitigarbha monk and folk faiths are placed in the whole film. Secondly, the human being of Mei, the inanimate being of Susuwatari and the camphor tree could not coexist at first. Nonetheless, man gives the umbrella to nature and gami(gods), In return man receives tree fruits and then they can coexist together. Thirdly, the film shows the animistic view of ecology that all things have spirits. Fourthy, it has the ecological consciousness of the symbiotic community. Fifthly, it indicates that human beings, nature and gami(gods) have ecological consciousness in the forest of Scamory,
Abstract
This study deals with Hayao Miyazaki‘s ecological consciousness that is indicated in the film “My Neighbour TOTORO(1988)”. The background of this movie is the middle golden days of the 1950s in terms of times and it is the rural district of Tokurozawa of Tokyo's suburbs in the spatial situation. So far the movie director usually has made stateless movies, but this movie is the first that reflects the character of “Japanese movie”. His message transfers from the concept of “human beings and nature” to that of “nature and ecology”. Firstly, Totoro, the Japanese shrine of Inari, Ksitigarbha monk and folk faiths are placed in the whole film. Secondly, the human being of Mei, the inanimate being of Susuwatari and the camphor tree could not coexist at first. Nonetheless, man gives the umbrella to nature and gami(gods), In return man receives tree fruits and then they can coexist together. Thirdly, the film shows the animistic view of ecology that all things have spirits. Fourthy, it has the ecological consciousness of the symbiotic community. Fifthly, it indicates that human beings, nature and gami(gods) have ecological consciousness in the forest of Scamory,
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