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『스미다강 동쪽의 기담』(濹東綺譚)의 인물

The Characters in A Strange and Interesting Story in the East of the Sumida River

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주제분류일본어와문학

초록

This is a study on the characters in A Strange and Interesting Story in the East of the Sumida River written by Nagai Kafu. In the beginning Ooe Dadasu, the first󰠏person protagonist, appears as a figure who reminds the reader of the author himself. From chapter 3 on the protagonist figures as both Ooe Dadasu and Nagai Kafu at the same time. The work raises criticism of civilization couched by the protagonist: irresponsibility of the police, corruption of government offices, and abuse of state power. It also features the taste for retrospection pining for the past, and the taste for the red󰠏light district in Damanoi which gives off a flavor of the good old days. The plot of the protagonist’s parting with Oyuki might have come from the author’s intention to represent the piteousness of Oyuki and the sense of sorrow felt by the hero. Oyuki is of a cheerful, honest and naive character. She does not even mourn for her plight much. She lives a life of an unlicensed prostitute in Damanoi. Perhaps Oyuki is the ideal woman Nagai Kafu seeks after. She is, as it were, an illusionary girl, who brings him back to the dear phantom of the past. A major work of Nagai Kafu who excels in characterization, the story is also a masterpiece of the 1930s.

Abstract

This is a study on the characters in A Strange and Interesting Story in the East of the Sumida River written by Nagai Kafu. In the beginning Ooe Dadasu, the first󰠏person protagonist, appears as a figure who reminds the reader of the author himself. From chapter 3 on the protagonist figures as both Ooe Dadasu and Nagai Kafu at the same time. The work raises criticism of civilization couched by the protagonist: irresponsibility of the police, corruption of government offices, and abuse of state power. It also features the taste for retrospection pining for the past, and the taste for the red󰠏light district in Damanoi which gives off a flavor of the good old days. The plot of the protagonist’s parting with Oyuki might have come from the author’s intention to represent the piteousness of Oyuki and the sense of sorrow felt by the hero. Oyuki is of a cheerful, honest and naive character. She does not even mourn for her plight much. She lives a life of an unlicensed prostitute in Damanoi. Perhaps Oyuki is the ideal woman Nagai Kafu seeks after. She is, as it were, an illusionary girl, who brings him back to the dear phantom of the past. A major work of Nagai Kafu who excels in characterization, the story is also a masterpiece of the 1930s.

참고문헌 (13)

  1. 永井荷風, "荷風全集全30卷" (1992), 岩波書店
  2. 江藤淳, "荷風散策", pp.108~ (1996), 新潮社
  3. 川本三朗, "荷風と東京", pp.76~400 (1996), 都市出版社
  4. 坂上博一, "永井荷風ノート", pp.279~294 (1978), 櫻楓社
  5. 佐藤春夫, "荷風雜觀", pp.171~177 (1989), 日本圖書センター
  6. 中村光夫, "《評論》永井荷風", pp.139~ (1979), 筑摩書房
  7. 野口冨士男, "わが荷風", pp.137~ (1984), 中央公論社
  8. 半藤一利, "荷風さんと"昭和"を步く", pp.61~ (1994), プレジデント社
  9. 平野謙, "文藝讀本永井荷風", pp.67~75 (1991), 河出書房新社
  10. 福田恒在, "荷風文學と情緖", 文藝, (臨時增刊), pp.43~ (1956), 河出書房
  11. 宮城達郞, "濹東綺譚の含む諸問題", 國語と國文學, 32(12), pp.43~ (1955), 至文堂
  12. 森安理文, "永井荷風ひかげの文學", pp.248~ (1981), 圖書刊行會
  13. 吉田精一, "永井荷風", pp.94~ (1979), 櫻楓社

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