『가게로닛키(蜻蛉日記)』의 ‘시간’과 ‘눈・비’
A Study on ‘Time’ and ‘Snow and Rain’ in the Women Diary Literature of KAGERONIKKI
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Diary literatures have common element in the nature of reminiscences, particularly it is found that the problem of time order is related to the reminiscence. It can be said that each works of diary literature are regarded as the problem of how the introduction of reminiscence and the order of time are used. In this context, the order of time for Michitsuna's mother's past is considered in the expression of the recollection of 『KAGERONIKKI』. It is focused on the problem of time in diary literature, and is pursued the 「discovery of time for life」 by Michitsuna's mother. The core of the modern time theory is human consciousness. Time passes constantly as「durée pure」 and does not deal with quantitative flow. In other words, the time is pure multiquality. However, the time of spatialization is homogeneous time and consists of quantitative relation. While examining the essence of these times, considered the structure of the recollection of the rain and snow is considered, which appeared in the life of Michitsuna's mother in 『KAGERONIKKI』. To read 『KAGERONIKKI』, you must be adapt to the Michitsuna's Mother's time employing method. The rain and snow used in the 『KAGERONIKKI』 65 times, are a madeleine of Marcel Proust, who restore the lost time of Michitsuna's mother. Instead of the taste and smell of madeleine soaked in tea, the rain and snow penetrated deep into the body through the visual and auditory senses. The recollection that Michitsuna's mother recovered from the rain and snow is surprisingly sensitive and untiring. In the time that is mechanically and scientifically passing through autumn, winter, and spring, snow and rain revive and combine memories of the past by regulating the amount of time and quality by weather sometimes mildly or sometimes intensely. In that the life of Michitsuna's mother's real life which was finally discovered and revealed. The only life that Michitsuna's mother experienced was the reminiscence of 『KAGERONIKKI』, which had been produced not in the right order of time.
Abstract
Diary literatures have common element in the nature of reminiscences, particularly it is found that the problem of time order is related to the reminiscence. It can be said that each works of diary literature are regarded as the problem of how the introduction of reminiscence and the order of time are used. In this context, the order of time for Michitsuna's mother's past is considered in the expression of the recollection of 『KAGERONIKKI』. It is focused on the problem of time in diary literature, and is pursued the 「discovery of time for life」 by Michitsuna's mother. The core of the modern time theory is human consciousness. Time passes constantly as「durée pure」 and does not deal with quantitative flow. In other words, the time is pure multiquality. However, the time of spatialization is homogeneous time and consists of quantitative relation. While examining the essence of these times, considered the structure of the recollection of the rain and snow is considered, which appeared in the life of Michitsuna's mother in 『KAGERONIKKI』. To read 『KAGERONIKKI』, you must be adapt to the Michitsuna's Mother's time employing method. The rain and snow used in the 『KAGERONIKKI』 65 times, are a madeleine of Marcel Proust, who restore the lost time of Michitsuna's mother. Instead of the taste and smell of madeleine soaked in tea, the rain and snow penetrated deep into the body through the visual and auditory senses. The recollection that Michitsuna's mother recovered from the rain and snow is surprisingly sensitive and untiring. In the time that is mechanically and scientifically passing through autumn, winter, and spring, snow and rain revive and combine memories of the past by regulating the amount of time and quality by weather sometimes mildly or sometimes intensely. In that the life of Michitsuna's mother's real life which was finally discovered and revealed. The only life that Michitsuna's mother experienced was the reminiscence of 『KAGERONIKKI』, which had been produced not in the right order of time.
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