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김수악류 진주교방 굿거리춤의 미학적 고찰 - 융석融釋과 즉흥성卽興性을 中心으로 -

Aesthetic study of Kim Sooak's style Jinjoo Gyobang gutgeori - Focused on Yungseok and impromptu -

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This research is implemented in order to aesthetically study the impromptu that is artistically expressed by an expert dancer with Yungseok and connecting it with Kim Sooak's style Jinjoo Gyobang gutgeori. Jinjoo Gyobang gutgeori movement has the trait of describing the Yungseok of nature, which some parts are done by improvisation. In gutgeori, impromptu shows the form of its dancing motion and the beauty of it, which can stimulate the observers' emotion, the reason the impromptu of the dancer is introduced. Because this kind of artistic level can be shown by practicing and immersing into dance for a long period of time, it can be also seen throuth artistry by the dancer's mastery for a long period of time. Therefore, Jinjoo Gyobang gutgeori artistic consciousness causes impromptu by taking in the independence of the dancer that is made by harmony and creative expression of diversity into gutgeori movement. Although Jinjoo Gyobang gutgeori has spontaneous dance motions and necessary skills to do it, it is essential to satisfy the condition of Yungseok in order to show impromptu. This is because the dance principle must seep into the dancer and reach a certain artistic level. That is why the dancer, who has satisfied the condition, doesn’t have to think about the dance principle but shows dance motions that contain the principle. From this condition the dancer must express impromptu in order to discuss one self’s presence and the artistry of Jinjoo Gyobang gutgeori. The crowd’s passionate reaction to the dance, which is an external factor, makes the dancer’s impromptu more active. The aesthetic trait of Jinjoo Gyobang gutgeori comes from sincerity originating from nature and freedom originating from artistic thinking. Therefore, Jinjoo Gyobang gutgeori becomes whole through the complementary relationship with the dancer’s artistic emotion, and artistically sublimating by merging philosophical thinking.

Abstract

This research is implemented in order to aesthetically study the impromptu that is artistically expressed by an expert dancer with Yungseok and connecting it with Kim Sooak's style Jinjoo Gyobang gutgeori. Jinjoo Gyobang gutgeori movement has the trait of describing the Yungseok of nature, which some parts are done by improvisation. In gutgeori, impromptu shows the form of its dancing motion and the beauty of it, which can stimulate the observers' emotion, the reason the impromptu of the dancer is introduced. Because this kind of artistic level can be shown by practicing and immersing into dance for a long period of time, it can be also seen throuth artistry by the dancer's mastery for a long period of time. Therefore, Jinjoo Gyobang gutgeori artistic consciousness causes impromptu by taking in the independence of the dancer that is made by harmony and creative expression of diversity into gutgeori movement. Although Jinjoo Gyobang gutgeori has spontaneous dance motions and necessary skills to do it, it is essential to satisfy the condition of Yungseok in order to show impromptu. This is because the dance principle must seep into the dancer and reach a certain artistic level. That is why the dancer, who has satisfied the condition, doesn’t have to think about the dance principle but shows dance motions that contain the principle. From this condition the dancer must express impromptu in order to discuss one self’s presence and the artistry of Jinjoo Gyobang gutgeori. The crowd’s passionate reaction to the dance, which is an external factor, makes the dancer’s impromptu more active. The aesthetic trait of Jinjoo Gyobang gutgeori comes from sincerity originating from nature and freedom originating from artistic thinking. Therefore, Jinjoo Gyobang gutgeori becomes whole through the complementary relationship with the dancer’s artistic emotion, and artistically sublimating by merging philosophical thinking.

참고문헌 (14)

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