현행 정재에 나타난 새로운 정재용어에 대한 연구 -문헌적 근거를 중심으로-

Abstract

Court Jeong-jae is not the same dance as personal arts are instructed as in the form of a folk dance. It should be taken into consideration that court Jeong-jae should be reproduced on the basis of the contents of Holki because the contents of court Jeong-jae are recorded in Holki. It is necessary to note that without fundamental translation about Jeong-jae terms, it should be difficultu to understand the contents of Jeong-jae. In the view that Jeong-jae terms clarified in the second documents can be re-made in the current Jeong-jae, assorting Jeong-jae terms whose names were clarified in the second documents, I compared the terms with those of the first documents. The result runs as follows: one is that Jeong-jae terms recorded in the first documents are cited in the other current Jeong-jae; the other is that the terms not recorded in the first documents are presented in the second documents. Jeong-jaes discovered in the second documents are Ga-in-jeon-mok-dan, Su-youn-jang, Bong-rae-eui, Jang-Saeng-bo-yong-ji- moo, Cheo-yong-moo etc. And 'Gyo-sun-moo', 'Ban-soo-ban-bul', 'San-hwa-jak-moo', 'San-hwa-jak-dae-moo', 'Won-hwa-moo', 'Hwan-hwa-moo', 'Dong-seo-sang-dae-i-moo', Dong-seo-sang-bae-i-moo', 'Nam-buk-sang-dae-i-moo', 'Byong-nae-hyang -i-moo', 'Bun-jeon-hoo-dae-i-moo', 'Nam-buk-hwan-dae-i-moo', 'Dong-seo-hwan-bok-gi-dae-i-moo', and 'Nam-buk-hwan-bok-gi-dae-i-moo', etc. are the terms which are not recorded in the first documents but in the second ones. Comparing these terms with those of the first documents, I have come to discover that they were the terms made newly and used in the current Jeong-jae. I have discovered that as the terms being cited and used in the other current Jeong-jae in the middle of the terms recorded in the first documents, 'San-hwa-jak-moo' in 'Jang-Saeng-bo-youn-ji-moo', and 'Nak-hwa-you-soo' in Choon-aeng-jeon were used in the current 'Cheo-yong-moo' and that 'Dong-seo-hwan-dae-i-moo' in Sa-sun-moo' was used in the current Su-youn-jang, Bong-rae-eui. I have studied how and why the new terms above were made on the basis of their literal meaning, the stage formation, and the first documents, To sum up the contents, it is as follows: First, as the result of ascertaining the contents, I have discovered that 'Ban-soo-ban-bul' was newly made on the basis of 'Ban-soo-soo-bul' in Choon-aeng-jeon, 'Gyo-sun-moo' on the basis of 'Jwa-dae-woi-hwoi woo-dae-nae-hwoi', 'Won-hwa-moo' on the basis of 'Hyang-hwa-i-won-moo', 'Hwan-hwa-moo' on the basis of 'Byong-hwa-ji-selection', 'San-hwa-jak-moo' and 'San-hwa-jak-dae-moo' on the basis of 'San-jak-hwa-moo' in Jang-saeng-bo-youn-ji-moo. Secondly, as the result of ascertaining the contents on the basis of Jeong-jae stage formation, I have discovered that 'Boon-jeon-hu-dae-i-moo' means that the position of the dancers is divided into Jeon-dae(,which means the front row in English) adn that Hoo-dae(,which means the back row), on the basis of Jeon-dae, Joong-dae(,which means the middle row) and Hoo-dae presented in Cho-ip-bae-yoel-do, Jeon-dae and Hoo-dae are in the position of the north and the south of the stage, and that on the basis of Jeon-dae-hyang-nam-i-moo in Su-youn-jang, 'Jak-yang-dae-i-moo' in Youk-hwa-dae, 'Hoo-dae-buk-hyang-i-moo' in Chup-seung-moo, the term 'Boon-jeon-hu-dae-i-moo' was newly made. In addition, I have discovered that in 'Byong-nae-hyang-i-moo' on the basis of 'Joong-ang-dae-moo' in Cheo-yong-moo, and Dong-seo-sang-dae-i-moo, Dong-seo-sang-bae-i-moo, Nam-buk-sang-dae-i-moo, Nam-but-hwan-dae-i-moo, Dong-seo-hwan-bok-gi-dae-i-moo, that third side Sang-bae-moo in Jang-saeng-bo-youn-ji-moo, and 'O-bang-jak-dae-do' in Cheo-yong-moo, the stage was divided into the north, south, east, and west. I have also discovered that on the basis of 'Buk-dae-nam-rip, Nam-dae-buk-rip, Dong-dae-seo-rip, Seo-dae-dong-rip' in Su-youn-jang and Bong-rae-eui. Through the first documents, I have ascertained the fact that as shown above the new terms in use in the current Jeong-jae were not made without any authority but on the basis of the stage formation of court Jeong-jae and the developing process of the terms progressing according to the contents of each Jeong-jae. Especially, the terms about spacial movement, formation change, and the change in position and direction had close relation to the stage conception of court Jeong-jae. However, when the contents on new terms are presented in posterior literature, the contents of the terms by the literal translation along with the name of Jeong-jae should be distinguished first. It should be explained that how Jeong-jae progress by the connection course of the terms according to the contents of Jeong-jae and with relation to the stage formation of Jeong-jae. The reason is that Jeong-jae terms are used repeatedly in each Jeong-jae, and the contents become different with every progressing process(,which is composed of introductory, progressing, and closing part) of each Jeong-jae. Although the contents of court Jeong-jae are understood, if the basic conception of the stage guiding court Jeong-jae is not comprehended it is difficult to make out the progressing contents of court dances. When Jeong-jae is restored or reporduced to the original state in the future, after the contents of Jeong-jae terms are reviewed closely on the basis of the first documents it should be done. Furthermore, in the case that new Jeong-jae termsare made and used in the current Jeong-jae, their contents should be explained along with research and analysis on the source of the terms and the background of their use. Through these efforts, the contents of Jeong-jae terms can be established systematically and it will be able to be clarified that while Jeong-jae terms are used repeatedly in 50 court Jeong-jaes or so in number, why the contents of the terms are translated differently every Jeong-jae.