거주지 문화 공유를 위한 커뮤니티댄스 기능 연구

Abstract

This study focuses on the value of modernity resulted from capitalism and liberalism and the problems of a city and society as residential space created by the blindness of contemporariness. The movement of internalization and globalization based on the power of vast capital has deterritorialized human life space, and it has facilitated the growth of an enormous city as either extended or eliminated with the common elements of a city as the ground. While the taste and consciousness of a community, the existential being occupying the city and town, is disregarded, the myth of the town has been diluted. In the space of a city ruled by individual desire, residents’ historicity and a community’s identity are no longer crucial value. This therefore means discontinuance in relations. The problem of discontinuance in cultural relationship can be settled down when we practice culture sharing as the succession of relations through the process to revitalize the myth of a town. The succession of relations is to share a town’s historicity, and culture sharing is the very effort to revitalize community. Thus, community dance for residential culture sharing comes to have functions to reflect the historicity of various time points based on the placeness of a city and town from the temporal perspective and also to revive community through culture sharing as the practice of participating in artistic experience from the spatial perspective. In others words, it comes to play roles in revitalizing residents’ consciousness and happiness eaten up by modernity and contemporariness represented with capitalism and liberalism. It is because a city community’s recovery means reviving the existential aspects of a community well polished with value and belief that have been formed spatially as well as temporally.