초근대성의 비장소 춤 공간 확장의 의미

Abstract

Place is one of the most important concepts of modern culture, philosophy, and anthropology. The governance structure by the expansion of contemporary space raises the question of cultural theorists to reconstruct the meaning of place's existential and cultural identity, emphasising the importance of place. The contemporaries have been organised in a number of and diversely separate places that meet different purposes and interests and require an organisation of passage and transportation connecting them. An anthropologist Agué, M. (2017) calls 'nonplace' that has no movement and permanence, and is defined by their connectivity to other places. In this study, the implications of place and space of dance are considered in non-place, a place with a paradoxical sense of ‘somewhere’ and ‘anywhere’ at the same time, where there are no clear features, and few reflect the environment of their unique area. Therefore, based on the concept of Augé, M.(2017), the purpose of this study is to expand the academic area of dance study based on the analysis of the functions and spaces of dance in non-places expanding in modern society by considering the relationship between the material characteristics and inner experience of dance. First, the concept of space and place is considered, and the relationship between space and place of arts is discussed to provide the validity of the research. Second, to examine the change of place in dance, the relationship between material dance and place is discussed in a shared place. Third, based on the concept of a place of supermodernity, for the discourse of dance space in non-place, the boundaries between non-place and place are analysed, and the implications of space in non-place are considered.