몸성을 통해 본 차이콥스키 음악

Abstract

In recent scholarly discourse, the significance of bodiness research has gained prominence. This study aims to explore the musical value of Tchaikovsky through the perspective of bodiness. To accomplish this, Tchaikovsky's music is examined within the framework of bodiness, focusing on the core keywords of "culturality", "dynamic relationality", and "processuality". The findings of the research reveal that the culture ingrained in Tchaikovsky's personal life and the cultural attributes acquired from the international musical environment contribute to the distinctive- ness of his music. The essence of the composer's life and disposition, encapsulated in "culturality", can be seen as the embodiment of bodi- ness, thereby revealing the unique value of Tchaikovsky's music. Fur- thermore, his dance music contains elements that evoke movement, consequently fostering a strong sense of "dynamic relationality." With its multi-dimensional structure and intricacy, his music encourages active collaboration and communication among performers, between performers and audiences, and even between musicians and dancers. The attainment of Tchaikovsky's music's elevated artistic worth is intrinsically supported by the process of "knowing" into "doing," thus encapsulating the concept of "processuality". Through processes such as "pastiche style", "dramaturgy", and "emotional expression", he forged his distinct individual style. In conclusion, Tchaikovsky's music demonstrates a rich and unique bodiness essence. His compositions epitomize the interplay of "cul- turality", "dynamic relationality", and "processuality", which collec- tively contribute to the profound artistic value of his music.