麗末鮮初 箴銘類 硏究 - 『東文選』 所載 작품을 중심으로

Abstract

This study starts to examine many literary styles of the Chinese classics prose that has been carelessly dealt at the field of Chinese literature. In such a sense, it is very much encouraging to accumulate research outcome of the Chinese classics prose in the 1990's. However, Jammyeongryu (箴銘類) that the author wants to examine has been researched very much little at writers as well as literary works to introduce it even at introduction to the Chinese literature as well as history of the Chinese literature. Jam (箴) is thought to make appearance at the Korean literature for the first time in the era of Koryo to have writers such as Lee Kyu-bo, Lee Jae-hyeon, Lee Saek, Lee Dal-chung and Jeong Chu, etc. The literary works of both Lee Kyu-bo and Lee Jae-hyun are very much valuable at Jam's status at the Korean literature history. The literary style of Jam has moralist characteristics traditionally to be aimed at Jakyeong (自警), and both writers commented social problems implicitly by satirical technique to show difference with other writers. And, myeong (銘) has functions of both warning and blessing at the same time. Myeong with warning can express warning intention through a variety of materials. Many literary works can express objects by personification, and all of objects and even abstract object can be used to be material. From point of view of 'variety of the materials', literary style of myeong can be as much good as other literary genres. The author can find out literary values enough even at Jammyeongryu: The purpose of the study is to examine style characteristics and literature of Jammyeongryu in 'Dongmunseon'.