운와(芸窩) 홍중성(洪重聖)의 금강산 유람시 연구

Abstract

The purpose of this article is to confirm the characteristic aspect of Unwa(芸窩) Hong JoongSung(洪重聖)'s poems on Geumgang mountain travel poems and to confirm the meaning of the poems on Geumgang mountain travel poems through this. Hong Joong-sung did not reach a high political position, but he was recognized literaryly. Unwa learned poetry from Samyeon(三淵) Kim ChangHyeop(金昌翕), who took the lead in changing the poetry trend of Joseon from the end of the 17th century to the 18th century. He opened poems and exchanged poems with famous people of the time such as Choi ChangDae, Jo YuSoo, Lee ByeongYeon, and Hong SeTae, and was recognized as a poem by them. In this respect, Unwa can be said to be a person who must be dealt with in terms of literature, especially Chinese poetry. Therefore, if Unwa and his literary works become known to the academic world, we can confirm the character Unwa and his specific literary works, and furthermore, we can understand the trend of Chinese poetry in the first half of the 18th century more clearly. Moreover, in the 18th century, the number of Sansu-uram literature exploded, centering on Nongam(農巖) and Samyeon, and the works are developed in a direction that values realism. Unwa also enjoyed to travel and collected the poems he wrote at the time after visiting Geumgang Mountain and weaved them into Pungakrok. In 1722, Unwa went on a tour of Geumgang Mountain, and for Unwa, travel was his favorite thing and a way to create literary works containing spirit. Thus, Unwa collected poems written during his tour of Geumgang Mountain, compiled the Pungakrok, and asked Choi SeokHang, Lee HaGon, and Hong SeTae to write a postscript, and was evaluated by Choi Seok-hang and Lee Ha-gon as realistic and spirited, respectively. Currently, 17 poems in 12 titles remain in Geumgang Mauntain travel poems. Looking at these works, Unwa captured the characteristic parts of the majestic and magnificent scenery of Geumgang Mountain he faced, depicting them realistically or capturing their grandeur. Unwa's cruise to Geumgang Mountain and his cruise poetry seem to be basically in the same trajectory as Noron's Nongam or Samyeon's landscape cruise activities. However, if you look at the expression method in more detail, you can see that it does not exclude sound or directly reveal emotions. These expressions can be seen not only in the poems of Geumgang Mountain travel, but also in Unwa's other travel poems.