19세기 애정 세태서사에 수렴된 하위주체의 욕망과 그 의미

Abstract

The Neo-Confucian ideology of the Joseon Dynasty had a significant influence on the thought and life of the people of the time, and this situation worked in the direction of restraining and restricting various human desires. But human needs could not be shrunk in a state of restraint. This is because various desires for sex, power, and affection have been erupting steadily throughout the Joseon Dynasty. However, the records of the upper intellectuals did not reveal the lives and voices of these lower classes. In this regard, <Jeolhwagidam (折花奇談)>, <Pouigyojip (布衣交集)>, <Buksanggi (北廂記)>, <Baeksangrugi (百祥樓記)> requires special attention as the desires of sub-subjects are revealed in various ways. Above all, these works vividly portray the state of affection of the time, as the historical events that existed in the late Joseon Dynasty corresponded to the time and space within the work, bringing out a more realistic sense. In addition, the sub-subjects who are the characters in the work awaken their reality through the desire for affection to raise certain problems in the irrational reality of life. In the process, this paper pays attention to the existence of an affectionate setae novel that has completed a narrative composition that is not tied to the Juja-based view of literature. And the emergence of setae novels in which the desires of the sub-subjects converged or expressed in a more realistic sense means that there is a literary class that can represent them. In this regard, the emergence of the 19th century Setae novels could be made possible by the existence of the creative class of writers and helpers, and this narrative logic of the creative class affirms the desire of the sub-subject and at the same time recognizes itself as a narrative writer. I tried to confirm.